気まぐれ屋

【中古】 Dowland ダウランド / Collection: V / A 【CD】

状態可状態詳細2枚組み、ケースすれ中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら商品説明（こちらは新品の商品説明となります。参考として下さいませ。中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません。）The John Dowland Collection・Lachrimae Antiquae・If my complaints could passions move・Can she excuse my wrongs・Come away, come sweet love・My Lady Hudson's A Piece without title・The Shoemaker's wife・Lachrimae Antiquae・Come again・Come heavy sleep・Mr Dowland's Midnight・Sir John Smith Semper Dowland・Lachrimae Gementes・I saw my Lady weep・Flow my tears・Fine knacks for ladies Shall I sue・Lachrimae Tristes・Me, me and none but me・Forlorne Hope Fancy・Weepe you no more, sad fountaines・Lachrimae Coactae・Go nightly cares・The Right Honourable Ferdinando The most sacred Queen Elizabeth・Tell me, true love・Lachrimae Amantis・In darkness let me dwell・A Fantasia・My Lord Chamberlain Far from triumphing court・I shame at mine unworthiness・Lachrimae Verae曲目リストDisc11.A piece without title/2.Lachrimae or Seaven Teares: Lachrimae antiquae/3.Firste Booke of Songes: no 4, If my complaints could passions move/4.Firste Booke of Songes: no 5, Can she excuse my wrongs?/5.Firste Booke of Songes: no 11, Come away, come sweet love/6.My Lady Hunsdons Puffe, P 54/7.Shoemaker's Wife, a Toy, P 58/8.Lachrimae or Seaven Teares: Lachrimae antiquae novae/9.Firste Booke of Songes: no 17, Come againe, sweet love doth now envite/10.Firste Booke of Songes: no 20, Come, heavy sleepe/11.Mr Dowland's Midnight, P 99/12.Semper Dowland semper dolens, P 9/13.Sir John Smith, his Almaine, P 47/14.Lachrimae or Seaven Teares: Lachrimae gementes/15.Second Booke of Songes: no 1, I saw my lady weepe/16.Second Booke of Songes: no 2, Flow, my teares/17.Second Booke of Songes: no 12, Fine knacks for ladies/18.Lachrimae or Seaven Teares: Lachrimae tristes/19.Second Booke of Songes: no 19, Shall I sue, shall I seeke for grace?Disc21.Third and Last Booke of Songes: no 5, Me, me and none but me/2.Forlorne Hope Fancye, P 2/3.Third and Last Booke of Songes: no 15, Weep you no more, sad fountains/4.Lachrimae or Seaven Teares: Lachrimae coactae/5.A Pilgrimes Solace: no 9, Goe, nightly cares, the enemy to rest/6.Ferdinando, Earle of Derby, his Galliard, P 44/7.Queene Elizabeth, her Galliard, P 41/8.A Pilgrimes Solace: no 8, Tell me, true Love/9.Lachrimae or Seaven Teares: Lachrimae amantis/10.In darkness let me dwell/11.Fantasia/12.My Lord Chamberlain his Galliard, P 37/13.Farre from triumphing court/14.I shame at mine unworthiness/15.Lachrimae or Seaven Teares: Lachrimae verae

【中古】 ブリッジ（1879-1941） / Songs: J.watson(S) L.winter(Ms) Macdougrall(T) Finley(Br) Vignoles(P) 【CD】

状態可状態詳細2枚組み中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら商品説明（こちらは新品の商品説明となります。参考として下さいませ。中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません。）ブリッジ：歌曲集（2CD）ベンジャミン・ブリテンの師として知られる、イギリスの作曲家フランク・ブリッジ。シャンドスからは全6巻に及ぶ管弦楽作品集（CHAN10729X）が発売されていますが、ハイペリオンからは1996年＆1997年に録音された全45曲に及ぶ歌曲集が「dyad」シリーズより新装再発売。プログラムは時系列に沿って並べられており、曲は20年間にわたって書かれていますが、スタイルは一貫性が保たれています。 ブリテンやアイヴズ、バーバーなど英語圏の歌曲も得意とする名バリトン、ジェラルド・フィンリーを始め、ジャニス・ワトソン、ジェイミー・マクダガル、そして名伴奏者のロジャー・ヴィニョールズと、充実したメンバーで作り上げたブリッジです。（東京エムプラス）【収録情報】ブリッジ：・Sonnet - When most I wink・If I could choose・The primrose・A dirge・The Devon maid・Dawn and evening・Where'er my bitter teardrops fall・E'en as a lovely flower・Blow, blow, thou winter wind・Go not, happy day・Night lies on the silent highways・A dead violet・Cradle song・Lean close thy cheek・Fair daffodils・Adoration・So perverse・Tears, idle tears・The violets blue・Come to me in my dreams・My pent-up tears oppress my brain・Music, when soft voices die・Far, far from each other・Where is it that our soul doth go?・All things that we clasp and cherish・Love is a rose・Dear, when I look into thine eyes・Isobel・O that it were so!・Strew no more red roses・Where she lies asleep・Love went a-riding・Thy hand in mine・So early in the morning, O: -・Mantle of blue・The last invocation・When you are old and gray・Into her keeping・What shall I your true love tell?・'Tis but a week・Day after day・Speak to me, my love!・Dweller in my deathless dreams・Goldenhair・Journey's end ジェラルド・フィンリー（バリトン） ジャニス・ワトソン（ソプラノ） ルイス・ウィンター（メゾ・ソプラノ） ジェイミー・マクダガル（テノール） ロジャー・ヴィニョールズ（ピアノ） 録音時期：1996年6月17-21日、11月18-19日、1997年1月15-16日 録音場所：ロンドン、ロスリン・ヒル・ユニテリアン・チャペル 録音方式：ステレオ（デジタル／セッション） 旧品番：CDA67181

【ただ今クーポン発行中です】【輸入盤CD】【新品】Albeniz/Caccini/Park/Gailey / Passion Of The Soul【K2023/4/7発売】

発売日: 2023/4/7輸入盤USレーベル: Centaur収録曲:コメント:David H Park, 'a soloist with extraordinary artistic gifts', (Pulitzer Prize winner-Salt Lake Tribune), 'that commands respect... of the highest order,' (Le Journal Sud Ouest, DN), started playing the violin at the age of five in Seoul, Korea. Park has studied with two of the most distinguished pedagogues, Josef Gingold and Dorothy Delay. He received his Bachelor of Music at the University of Indiana, where he also studied with Yuval Yaron, and Master of Music at the Juilliard School. At the age of 14, he was one of the youngest students of the legendary Jascha Heifetz. Park maintains a balance between his engagements as soloist with orchestras throughout the world and his recital and chamber music activities. Park has performed solos and recitals in many of the world's great concert halls including Carnegie Recital Hall and Alice Tully Hall in New York, Salle Pleyel in Paris, and Sejong Music Center in Seoul. Park has also performed on national television and radio broadcasts in the United States, France, Hong Kong and Korea. Park was featured on KUTV CBS News; where according to the website blog, his performance brought tears to the news anchor, commenting 'so pure and perfect.' In 2013, Strings Magazine featured Park in an exclusive interview. Some of Park's highlights include his first return to Seoul, Korea, performing the Lalo Symphonie Espagnole with the Seoul Philharmonic. Park made his New York debut performing Vivaldi's Four Seasons in Carnegie Weill Hall. Also, making his debut in Aix-en-Provence Music Festival, he performed both solo and chamber music in collaboration with Augustin Dumay which was broadcasted nationally by France Musique, the premier classical radio station in France. In a highly anticipated Cultural Exchange Gala Concert, Park soloed with the Pyongyang State Orchestra of North Korea. Recently, he soloed with orchestras in Virginia, California, and Hong Kong. Furthermore, Park has presented rare series of concerts pairing Stradivari and Guarneri del Gesu violins with critical acclaim. In 2016, Park received an award for Higher Education of the Year by Utah ASTA, where Finer Points proclaimed him as 'one of the best violin soloists and music pedagogues in the nation.' Furthermore, he received the coveted Global Music Award for his debut solo CD, Violin Meditations. In 2020, his debut Kreisler album with Centaur Records was sold-out in the first week of the release, and editor of American Record Guide remarked 'this is the most brilliant Kreisler recording I know.' In 2021, Park will perform concertos of Tchaikovsky, Sibelius, Beethoven, and Vivaldi Four Seasons at St George, Los Angeles, and New York. Also, 2021 will mark his London debut playing on a Stradivarius from Beare's International Violin Society. In 2022, Park will be performing the Bruch Scottish Fantasy and Vivaldi Four Seasons with orchestras in California and New York and give a recital in France. Also, Park will release his 2nd album with Centaur, 'David Park and Friends.' A True Renaissance Man' (Salt Lake Tribune), in 2019, Park was appointed to be the Cultural Ambassador of Ferrari. In 2011, Park's passion for fine wine culminated in his induction as Commander of Honor in Bordeaux, France, for one of the world's oldest wine societies, Commanderie du Bontemps. In 2015, Park made his acting debut and also performed Massenet's Meditation Thais and Bach's Air for the soundtrack of the movie. The movie was premiered at the Sundance Film Festival and released in theaters nationwide.David H Park, 'a soloist with extraordinary artistic gifts', (Pulitzer Prize winner-Salt Lake Tribune), 'that commands respect... of the highest order,' (Le Journal Sud Ouest, DN), started playing the violin at the age of five in Seoul, Korea. Park has studied with two of the most distinguished pedagogues, Josef Gingold and Dorothy Delay. He received his Bachelor of Music at the University of Indiana, where he also studied with Yuval Yaron, and Master of Music at the Juilliard School. At the age of 14, he was one of the youngest students of the legendary Jascha Heifetz. Park maintains a balance between his engagements as soloist with orchestras throughout the world and his recital and chamber music activities. Park has performed solos and recitals in many of the world's great concert halls including Carnegie Recital Hall and Alice Tully Hall in New York, Salle Pleyel in Paris, and Sejong Music Center in Seoul. Park has also performed on national television and radio broadcasts in the United States, France, Hong Kong and Korea. Park was featured on KUTV CBS News; where according to the website blog, his performance brought tears to the news anchor, commenting 'so pure and perfect.' In 2013, Strings Magazine featured Park in an exclusive interview. Some of Park's highlights include his first return to Seoul, Korea, performing the Lalo Symphonie Espagnole with the Seoul Philharmonic. Park made his New York debut performing Vivaldi's Four Seasons in Carnegie Weill Hall. Also, making his debut in Aix-en-Provence Music Festival, he performed both solo and chamber music in collaboration with Augustin Dumay which was broadcasted nationally by France Musique, the premier classical radio station in France. In a highly anticipated Cultural Exchange Gala Concert, Park soloed with the Pyongyang State Orchestra of North Korea. Recently, he soloed with orchestras in Virginia, California, and Hong Kong. Furthermore, Park has presented rare series of concerts pairing Stradivari and Guarneri del Gesu violins with critical acclaim. In 2016, Park received an award for Higher Education of the Year by Utah ASTA, where Finer Points proclaimed him as 'one of the best violin soloists and music pedagogues in the nation.' Furthermore, he received the coveted Global Music Award for his debut solo CD, Violin Meditations. In 2020, his debut Kreisler album with Centaur Records was sold-out in the first week of the release, and editor of American Record Guide remarked 'this is the most brilliant Kreisler recording I know.' In 2021, Park will perform concertos of Tchaikovsky, Sibelius, Beethoven, and Vivaldi Four Seasons at St George, Los Angeles, and New York. Also, 2021 will mark his London debut playing on a Stradivarius from Beare's International Violin Society. In 2022, Park will be performing the Bruch Scottish Fantasy and Vivaldi Four Seasons with orchestras in California and New York and give a recital in France. Also, Park will release his 2nd album with Centaur, 'David Park and Friends.' A True Renaissance Man' (Salt Lake Tribune), in 2019, Park was appointed to be the Cultural Ambassador of Ferrari. In 2011, Park's passion for fine wine culminated in his induction as Commander of Honor in Bordeaux, France, for one of the world's oldest wine societies, Commanderie du Bontemps. In 2015, Park made his acting debut and also performed Massenet's Meditation Thais and Bach's Air for the soundtrack of the movie. The movie was premiered at the Sundance Film Festival and released in theaters nationwide.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Dowland/Opera Prima Consort/Contadin / Lachrimae【K2019/11/1発売】

発売日: 2019/11/1輸入盤USレーベル: Brilliant Classics収録曲:コメント:The seven Lachrimae Pavan of 1604 are widely held to mark not only the high point of Dowland's work but the entire genre of viol consort music. Dowland takes a lamenting pavan that he had written some years earlier and develops it's theme into a cycle which takes the listener through different states of tearfulness, from loneliness to despair through hope to love and finally joy - the 'true tears' of the final pavan. In it's contrapuntal mastery and it's ingenuity in the treatment of a single theme, the Lachrimae cycle stands alongside The Art of Fugue composed by J.S. Bach a century and a half later. Most recordings of the Lachrimae use the standard instrumentation of a consort of viols, ranging from treble to bass and accompanied by a lute. For his second recording of the cycle, however, the Italian violist Cristiano Contadin has boldly created a broken consort performance which mixes the recorder and also early violin and viola in with the uniquely grainy timbre of the viols. Such an instrumentation exploits the long association of the recorder with music of lamentation, and makes a historical connection with, for example, the cantatas of Bach. Contadin explains with a booklet essay that his aim in performance is to recover the 'passionate' nature of this music as Dowland envisaged it in his own written preface to the score, and indeed there is nothing dry or constricted about the performance he directs from the treble viol. Now, with three generations of period performance research and practice under their belts, musicians are beginning to play this music with the kind of freedom and spontaneity and emotion they would accord (in other ways) to Brahms, and this new recording deserves comparison with the most distinguished accounts from the recent past.The seven Lachrimae Pavan of 1604 are widely held to mark not only the high point of Dowland's work but the entire genre of viol consort music. Dowland takes a lamenting pavan that he had written some years earlier and develops it's theme into a cycle which takes the listener through different states of tearfulness, from loneliness to despair through hope to love and finally joy - the 'true tears' of the final pavan. In it's contrapuntal mastery and it's ingenuity in the treatment of a single theme, the Lachrimae cycle stands alongside The Art of Fugue composed by J.S. Bach a century and a half later. Most recordings of the Lachrimae use the standard instrumentation of a consort of viols, ranging from treble to bass and accompanied by a lute. For his second recording of the cycle, however, the Italian violist Cristiano Contadin has boldly created a broken consort performance which mixes the recorder and also early violin and viola in with the uniquely grainy timbre of the viols. Such an instrumentation exploits the long association of the recorder with music of lamentation, and makes a historical connection with, for example, the cantatas of Bach. Contadin explains with a booklet essay that his aim in performance is to recover the 'passionate' nature of this music as Dowland envisaged it in his own written preface to the score, and indeed there is nothing dry or constricted about the performance he directs from the treble viol. Now, with three generations of period performance research and practice under their belts, musicians are beginning to play this music with the kind of freedom and spontaneity and emotion they would accord (in other ways) to Brahms, and this new recording deserves comparison with the most distinguished accounts from the recent past.