気まぐれ屋

【中古】 Berlin Philharmonic Wind Quintet Summer Music 【CD】

状態可状態詳細オーストリア盤、キズ小中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら商品説明（こちらは新品の商品説明となります。参考として下さいませ。中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません。）Summer Music for Wind QuintetBarber:Summer Music, Op. 31Carter, E:Woodwind Quintet (1948)Machala:American Folk SuiteMedaglia:Suite 'Belle Epoque in Sud-America'Suite popular brasileiraPitombeira:Ajubete jepe amo mbaeSchuller:SuiteVilla-Lobos:Quintette en forme de Choros for flute, oboe and bassoonBerlin Philharmonic Wind Quintet, with Nigel Shore (cor anglais)Digital Recording: 1997

【中古】 ティペット、マイケル（1905-1998） / Fantasia Concertante, Concertofor Double String.o: A.davis / Bbc.so 【CD】

状態可状態詳細帯付中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら曲目リストDisc11.2つの弦楽オーケストラのための協奏曲 Allegro Con Brio/2.2つの弦楽オーケストラのための協奏曲 Adagio Cantabile/3.2つの弦楽オーケストラのための協奏曲 Allegro Molto/4.コレルリの主題による協奏的幻想曲 [Begins: ] Adagio/5.コレルリの主題による協奏的幻想曲 [Begins: ] Fugue/6.歌劇 ≪真夏の結婚≫ からの典礼の踊り Prelude/7.歌劇 ≪真夏の結婚≫ からの典礼の踊り Transformation And Preparation For:/8.歌劇 ≪真夏の結婚≫ からの典礼の踊り The First Dance: The Earth In Autumn, Transformation And Preparation For:/9.歌劇 ≪真夏の結婚≫ からの典礼の踊り The Second Dance: The Water In Winter, Transformation And Preparation For:/10.歌劇 ≪真夏の結婚≫ からの典礼の踊り The Third Dance: The Air In Spring And Preparation For:/11.歌劇 ≪真夏の結婚≫ からの典礼の踊り The Fourth Dance: The Fire In Summer

石田組 2023・夏[CD] [SHM-CD+DVD] / 石田組

ご注文前に必ずご確認ください＜商品説明＞好評につき、早くも2023年2枚目のアルバム発売決定! いま最も聴きたいカリスマ・ヴァイオリニスト 石田泰尚(いしだやすなお)率いる『石田組』第2章。発売直後の東京・大阪公演の演目にもなっている、ファン待望のヴィヴァルディの「四季」、オアシスの「ホワットエヴァー」、いきものがかりの「ありがとう」も収録。DVDには、ヴィヴァルディ: 協奏曲集「四季」 作品8より 第1番「春」: 第1楽章、第2番「夏」: 第3楽章、第3番「秋」: 第3楽章、第4番「冬」: 第1楽章、「ホワットエヴァー」、「ありがとう」を収録。2022年8月19日ミューザ川崎シンフォニーホールでのLIVE録音。＜収録内容＞協奏曲集≪四季≫ 作品8 協奏曲 第1番 ホ長調 RV269 ≪春≫ 第1楽章:Allegro / 石田組協奏曲集≪四季≫ 作品8 協奏曲 第1番 ホ長調 RV269 ≪春≫ 第2楽章:Largo / 石田組協奏曲集≪四季≫ 作品8 協奏曲 第1番 ホ長調 RV269 ≪春≫ 第3楽章:Allegro (Danza pastorale) / 石田組協奏曲集≪四季≫ 作品8 協奏曲 第2番 ト短調 RV315 ≪夏≫ 第1楽章:Allegro non molto / 石田組協奏曲集≪四季≫ 作品8 協奏曲 第2番 ト短調 RV315 ≪夏≫ 第2楽章:Adagio - Presto - Adagio / 石田組協奏曲集≪四季≫ 作品8 協奏曲 第2番 ト短調 RV315 ≪夏≫ 第3楽章:Presto / 石田組協奏曲集≪四季≫ 作品8 協奏曲 第3番 ヘ長調 RV293 ≪秋≫ 第1楽章:Allegro / 石田組協奏曲集≪四季≫ 作品8 協奏曲 第3番 ヘ長調 RV293 ≪秋≫ 第2楽章:Adagio molto / 石田組協奏曲集≪四季≫ 作品8 協奏曲 第3番 ヘ長調 RV293 ≪秋≫ 第3楽章:Allegro / 石田組協奏曲集≪四季≫ 作品8 協奏曲 第4番 ヘ短調 RV297 ≪冬≫ 第1楽章:Allegro non molto / 石田組協奏曲集≪四季≫ 作品8 協奏曲 第4番 ヘ短調 RV297 ≪冬≫ 第2楽章:Largo / 石田組協奏曲集≪四季≫ 作品8 協奏曲 第4番 ヘ短調 RV297 ≪冬≫ 第3楽章:Allegro / 石田組ホワットエヴァー / 石田組ありがとう / 石田組協奏曲集≪四季≫ 作品8より 第1番≪春≫:第1楽章 / 石田組協奏曲集≪四季≫ 作品8より 第2番≪夏≫:第3楽章 / 石田組協奏曲集≪四季≫ 作品8より 第3番≪秋≫:第3楽章 / 石田組協奏曲集≪四季≫ 作品8より 第4番≪冬≫:第1楽章 / 石田組ホワットエヴァー / 石田組ありがとう / 石田組＜アーティスト／キャスト＞石田組(演奏者) 石田泰尚(演奏者)＜商品詳細＞商品番号：UWCD-10003Ishidagumi / Ishida-gumi 2023 Summer [SHM-CD+DVD]メディア：CD発売日：2023/08/02JAN：4988031583142石田組 2023・夏[CD] [SHM-CD+DVD] / 石田組2023/08/02発売

CD / 清塚信也 / Charge Up チャージ・アップ (解説付) / WPCS-12528

Charge Up チャージ・アップ (解説付)清塚信也キヨヅカシンヤ きよづかしんや 発売日 : 2012年7月25日 種別 : CD JAN : 4943674119103 商品番号 : WPCS-12528【商品紹介】マルチ・ピアニスト、清塚信也のアルバム。ジャズの影響を受けたクラシック曲や、日本を代表する作曲家・坂本龍一、久石譲の曲、さらにリクエストの多い自作曲も収録。清塚の演奏の特長である力強い速弾きから繊細な音色で、気分をアゲるピアノ作品。【収録内容】CD:11.Summer ～映画『菊次郎の夏』2.あの夏へ ～映画『千と千尋の神隠し』3.プレリュード 第1番 ～3つの前奏曲4.プレリュード 第2番 ～3つの前奏曲5.プレリュード 第3番 ～3つの前奏曲6.サムワン・トゥ・ウォッチ・オーヴァー・ミー7.ガーシュウィン・メドレー、ラプソディ・イン・ブルー、サマータイム、ス・ワンダフル、私の彼氏、スワニー、アイ・ガット・リズム、ラプソディ・イン・ブルー8.エアリスのテーマ ～ゲームソフト『ファイナルファンタジーVII』9.闘う者達 ～ゲームソフト『ファイナルファンタジーVII』10.con fouco11.プレリュード Op.40-1 ～8つの演奏会用エチュード12.エナジー・フロー13.メリー・クリスマス・Mr.ローレンス ～映画『戦場のメリー・クリスマス』14.悲しきワルツ15.祈り16.Fortuna ～フォルトゥーナ～

CD / 清塚信也 / Charge Up チャージ・アップ (解説付) / WPCS-12528

Charge Up チャージ・アップ (解説付)清塚信也キヨヅカシンヤ きよづかしんや 発売日 : 2012年7月25日 種別 : CD JAN : 4943674119103 商品番号 : WPCS-12528【商品紹介】マルチ・ピアニスト、清塚信也のアルバム。ジャズの影響を受けたクラシック曲や、日本を代表する作曲家・坂本龍一、久石譲の曲、さらにリクエストの多い自作曲も収録。清塚の演奏の特長である力強い速弾きから繊細な音色で、気分をアゲるピアノ作品。【収録内容】CD:11.Summer ～映画『菊次郎の夏』2.あの夏へ ～映画『千と千尋の神隠し』3.プレリュード 第1番 ～3つの前奏曲4.プレリュード 第2番 ～3つの前奏曲5.プレリュード 第3番 ～3つの前奏曲6.サムワン・トゥ・ウォッチ・オーヴァー・ミー7.ガーシュウィン・メドレー、ラプソディ・イン・ブルー、サマータイム、ス・ワンダフル、私の彼氏、スワニー、アイ・ガット・リズム、ラプソディ・イン・ブルー8.エアリスのテーマ ～ゲームソフト『ファイナルファンタジーVII』9.闘う者達 ～ゲームソフト『ファイナルファンタジーVII』10.con fouco11.プレリュード Op.40-1 ～8つの演奏会用エチュード12.エナジー・フロー13.メリー・クリスマス・Mr.ローレンス ～映画『戦場のメリー・クリスマス』14.悲しきワルツ15.祈り16.Fortuna ～フォルトゥーナ～

SummerCPキース・ロックハート（指揮） ボストン・ポップス・オーケストラ / アンコール!（Blu-specCD2） [CD]

ロックハート キース ボストンポップスオーケストラ アンコール詳しい納期他、ご注文時はお支払・送料・返品のページをご確認ください発売日2023/7/26キース・ロックハート（指揮） ボストン・ポップス・オーケストラ / アンコール!（Blu-specCD2）アンコール ジャンル クラシックその他 関連キーワード キース・ロックハート（指揮） ボストン・ポップス・オーケストラタングルウッド祝祭合唱団ボストン・ポップス、20年ぶりの来日！“ボストン・ポップスon the Tour 2023 ジョン・ウィリアムズ・トリビュート日本公演”開催決定！来日記念盤として、RCAの名盤5タイトルから厳選されたベスト盤に、日本盤ボーナストラックとして6曲追加収録して発売します。情熱的なシンフォニックでPOPなサウンドを堪能できます！ （C）RSBlu-specCD2／ボーナストラック収録封入特典解説付収録曲目11.アメリカン・パトロール(3:53)2.リバーダンス(6:32)3.マルディ・グラ（懺悔の火曜日）～組曲「ミシシッピー」(4:55)4.ボルガの舟歌(3:28)5.古戦場(4:23)6.ファランドール～組曲「アルルの女」(3:35)7.ドゥードゥルタウンの笛吹き(4:44)8.ニュー・イングランド賛歌(3:12)9.そりすべり(2:55)10.星条旗よ永遠なれ(3:31)11.“ロング・リヴ・ザ・キング”について［キース・ロックハートの言葉］(1:28)12.ロング・リヴ・ザ・キング～トリビュート・トゥ・エルヴィス!(6:37)13.リバティ・ファンファーレ ［ボーナス・トラック］(4:18)14.メリークリスマス、メリークリスマス （映画「ホーム・アローン2」） ［ボーナス・トラック］(2:46)15.マランボ ［ボーナス・トラック］(3:41)16.オブリビオン ［ボーナス・トラック］(3:54)17.茶色の小瓶 ［ボーナス・トラック］(3:25)18.イン・ザ・ムード ［ボーナス・トラック］(3:41)▼お買い得キャンペーン開催中！対象商品はコチラ！関連商品CD・DVD・Blu-ray ミュージック キャンペーン 種別 CD JAN 4547366625387 収録時間 71分06秒 組枚数 1 製作年 2023 販売元 ソニー・ミュージックソリューションズ登録日2023/06/01

SummerCPキース・ロックハート（指揮） ボストン・ポップス・オーケストラ / アンコール!（Blu-specCD2） [CD]

ロックハート キース ボストンポップスオーケストラ アンコールCD発売日2023/7/26詳しい納期他、ご注文時はご利用案内・返品のページをご確認くださいジャンルクラシックその他 アーティストキース・ロックハート（指揮） ボストン・ポップス・オーケストラタングルウッド祝祭合唱団収録時間71分06秒組枚数1商品説明キース・ロックハート（指揮） ボストン・ポップス・オーケストラ / アンコール!（Blu-specCD2）アンコールボストン・ポップス、20年ぶりの来日！“ボストン・ポップスon the Tour 2023 ジョン・ウィリアムズ・トリビュート日本公演”開催決定！来日記念盤として、RCAの名盤5タイトルから厳選されたベスト盤に、日本盤ボーナストラックとして6曲追加収録して発売します。情熱的なシンフォニックでPOPなサウンドを堪能できます！ （C）RSBlu-specCD2／ボーナストラック収録封入特典解説付関連キーワードキース・ロックハート（指揮） ボストン・ポップス・オーケストラ タングルウッド祝祭合唱団 収録曲目101.アメリカン・パトロール(3:53)02.リバーダンス(6:32)03.マルディ・グラ（懺悔の火曜日）～組曲「ミシシッピー」(4:55)04.ボルガの舟歌(3:28)05.古戦場(4:23)06.ファランドール～組曲「アルルの女」(3:35)07.ドゥードゥルタウンの笛吹き(4:44)08.ニュー・イングランド賛歌(3:12)09.そりすべり(2:55)10.星条旗よ永遠なれ(3:31)11.“ロング・リヴ・ザ・キング”について［キース・ロックハートの言葉］(1:28)12.ロング・リヴ・ザ・キング～トリビュート・トゥ・エルヴィス!(6:37)13.リバティ・ファンファーレ ［ボーナス・トラック］(4:18)14.メリークリスマス、メリークリスマス （映画「ホーム・アローン2」） ［ボーナス・トラック］(2:46)15.マランボ ［ボーナス・トラック］(3:41)16.オブリビオン ［ボーナス・トラック］(3:54)17.茶色の小瓶 ［ボーナス・トラック］(3:25)18.イン・ザ・ムード ［ボーナス・トラック］(3:41)▼お買い得キャンペーン開催中！対象商品はコチラ！関連商品CD・DVD・Blu-ray ミュージック キャンペーン商品スペック 種別 CD JAN 4547366625387 製作年 2023 販売元 ソニー・ミュージックソリューションズ登録日2023/06/01

SummerCPキース・ロックハート（指揮） ボストン・ポップス・オーケストラ / アンコール!（Blu-specCD2） [CD]

ロックハート キース ボストンポップスオーケストラ アンコール詳しい納期他、ご注文時はお支払・送料・返品のページをご確認ください発売日2023/7/26キース・ロックハート（指揮） ボストン・ポップス・オーケストラ / アンコール!（Blu-specCD2）アンコール ジャンル クラシックその他 関連キーワード キース・ロックハート（指揮） ボストン・ポップス・オーケストラタングルウッド祝祭合唱団ボストン・ポップス、20年ぶりの来日！“ボストン・ポップスon the Tour 2023 ジョン・ウィリアムズ・トリビュート日本公演”開催決定！来日記念盤として、RCAの名盤5タイトルから厳選されたベスト盤に、日本盤ボーナストラックとして6曲追加収録して発売します。情熱的なシンフォニックでPOPなサウンドを堪能できます！ （C）RSBlu-specCD2／ボーナストラック収録封入特典解説付収録曲目11.アメリカン・パトロール(3:53)2.リバーダンス(6:32)3.マルディ・グラ（懺悔の火曜日）～組曲「ミシシッピー」(4:55)4.ボルガの舟歌(3:28)5.古戦場(4:23)6.ファランドール～組曲「アルルの女」(3:35)7.ドゥードゥルタウンの笛吹き(4:44)8.ニュー・イングランド賛歌(3:12)9.そりすべり(2:55)10.星条旗よ永遠なれ(3:31)11.“ロング・リヴ・ザ・キング”について［キース・ロックハートの言葉］(1:28)12.ロング・リヴ・ザ・キング～トリビュート・トゥ・エルヴィス!(6:37)13.リバティ・ファンファーレ ［ボーナス・トラック］(4:18)14.メリークリスマス、メリークリスマス （映画「ホーム・アローン2」） ［ボーナス・トラック］(2:46)15.マランボ ［ボーナス・トラック］(3:41)16.オブリビオン ［ボーナス・トラック］(3:54)17.茶色の小瓶 ［ボーナス・トラック］(3:25)18.イン・ザ・ムード ［ボーナス・トラック］(3:41)▼お買い得キャンペーン開催中！対象商品はコチラ！関連商品CD・DVD・Blu-ray ミュージック キャンペーン 種別 CD JAN 4547366625387 収録時間 71分06秒 組枚数 1 製作年 2023 販売元 ソニー・ミュージックソリューションズ登録日2023/06/01

【中古】 Muse -healling & Refreshing- 【CD】

状態可状態詳細帯付中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら商品説明（こちらは新品の商品説明となります。参考として下さいませ。中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません。）MUSE -Healing & Refreshing-<br>HealingからRefreshingへ。疲れた心を癒しリフレッシュすれば、新しい明日が始まる。<br>フィリッパ・ジョルダーノ、ジェーン・バーキン、シセル、サラ・ブライトマン、IZZY、エミルー・ハリス、フォン・オッターなど、まさにMUSE（音楽の女神）の名にふさわしいアーティストの楽曲から、映画やテレビドラマ、コマーシャルなどで使用されている曲を中心に収録しました。<br><br>収録曲：フィリッパ・ジョルダーノ 「ハバネラ」（資生堂「プラウディア」TVCF曲）<br>シセル featuring ザンフィル 「Summer Snow」（TBS系ドラマ「Summer Snow」イメージ・テーマ）<br>ナナ・ムスクーリ 「オンリー・ラヴ」（TBS系ドラマ「百年の物語」メイン・テーマ）<br>エミルー・ハリス 「トゥゲザー・アゲイン」（ホンダ「シビック」TVCF曲）<br>ジェーン・バーキン 「無造作紳士」（TBS系ドラマ「美しい人」主題歌）<br>シセル featuring ザンフィル 「Seven Angels」（TBS系ドラマ「Summer Snow」イメージ・テーマ）<br>IZZY 「バイレロ」／サラ・ブライトマン 「ピエ・イエス」（アンドリュー・ロイド・ウェッバー「レクイエム」より）<br>ミレッラ・フレーニ 「オンブラ・マイ・フ」<br>アンネ・ソフィー・フォン・オッター 「コッポンゲン」<br>エリー・アーメリング 「まことのやすらぎはこの世にはなく」（映画「シャイン」より）<br>シルヴィア・マクネアー with A.プレヴィン 「虹の彼方に」（ミュージカル「オズの魔法使い」より）<br>レーナ・マリア 「アヴェ・マリア」（バッハ/グノー）<br>アンネ・ソフィー・フォン・オッター 「フォー・ノー・ワン」（レノン＆マッカートニー produced by コステロ）<br>シルヴィア・マクネアー with A.プレヴィン 「オール・ザ・シングズ・ユー・アー」<br>パトリシア・オキャラガン 「ハレルヤ」<br>レーナ・マリア 「アメイジング・グレイス」<br>フィリッパ・ジョルダーノ 「ロスト・ボーイズ・コーリング」（映画「海の上のピアニスト」より）曲目リストDisc11.ハバネラ/2.Summer Snow/3.オンリー・ラヴ/4.トゥゲザー・アゲイン/5.無造作紳士/6.SEVEN ANGELS/7.虹の彼方に/8.コッポンゲン/9.アメイジング・グレイス/10.ピエ・イエス/11.バイレロ/12.アヴェ・マリア/13.まことのやすらぎはこの世にはなく/14.オンブラ・マイ・フ/15.オール・ザ・シングズ・ユー・アー/16.フォー・ノー・ワン/17.ハレルヤ/18.ロスト・ボーイズ・コーリング

【ただ今クーポン発行中です】【輸入盤CD】【新品】Dvorak/Amaya/Dali Quartet / Voces Latinas【K2023/6/23発売】

発売日: 2023/6/23輸入盤USレーベル: Centaur収録曲:コメント:The Dali Quartet is acclaimed for bringing Latin American quartet repertoire to an equal standing alongside the Classical and Romantic canon. Tours of it's Classical Roots, Latin Soul programming have reached enthusiastic audiences across the U. S. , Canada and South America. It's fresh approach has been sought out by distinguished series in New York, Toronto, Philadelphia, Washington DC, Los Angeles, San Diego, San Jose, Seattle, San Juan and countless communities beyond. The quartet has been called upon for return engagements at the National Gallery of Art, Friends of Chamber Music in Portland, Chamber Music at Beall, and the SA'OAXACA International Music Festival in Mexico among others. Upcoming appearances include the Bravo!Vail Music Festival, Virginia Arts Festival, Princeton University Summer Chamber Concerts and Maverick Concerts. In addition to works of the masters from Haydn to Brahms and Amaya to Piazzolla, the group's adventurous and entertaining programming includes new works for quartet with percussionist Orlando Cotto, and quintets both Latin and Classical with the renowned clarinetist Ricardo Morales, principal clarinetist of The Philadelphia Orchestra, and with acclaimed pianist Vanessa Perez. The Dali Quartet has an ongoing collaboration with the Van Cliburn Competition's gold-medal winning pianist Olga Kern, with whom they have toured from coast to coast and recorded the piano quintets of Brahms and Shostakovich released on the Delos label. The Dali Quartet is the 2021 recipient of Chamber Music America's Guarneri String Quartet Residency, funded by the Sewell Family Foundation, and the 2021 Silver Medal at the inaugural Piazzolla Music Competition. The quartet is also the 2019 recipient of the Atlanta Symphony's esteemed Aspire Award for accomplished African American and Latino Musicians. The Dali is devoted to audience development and to reaching communities of all kinds. The group's Latin Fiesta Workshops and Family Concerts in both traditional and innovative settings move listeners - literally! The Dali Quartet is sought after for master classes and professional development workshops for students, (recently at the National Repertory Orchestra, Miami University, Michigan State, the University of Wisconsin, and the University of Iowa) and has opened musical vistas for younger kids with it's week-long Any Given Child programs (over three seasons for the Tulsa Public School System). In addition, the quartet's International Music Festival is an admired chamber music and orchestral program founded in 2004 which develops the performance skills of young musicians up through semi-professional level. The Dali has also served as a guest resident ensemble at Lehigh University. Trained by world-renowned artists, members of the Dali Quartet are from Venezuela, Puerto Rico and the US, and have degrees from esteemed institutions including the New England Conservatory, Cleveland Institute of Music, Juilliard, Indiana University Bloomington, and the Simon Bolivar Conservatory in Caracas, Venezuela. The quartet is based in Philadelphia, PA. The quartet serves as faculty at West Chester University Wells School of Music as the Quartet in Residence, and is an Iris Collective Resident Ensemble.The Dali Quartet is acclaimed for bringing Latin American quartet repertoire to an equal standing alongside the Classical and Romantic canon. Tours of it's Classical Roots, Latin Soul programming have reached enthusiastic audiences across the U. S. , Canada and South America. It's fresh approach has been sought out by distinguished series in New York, Toronto, Philadelphia, Washington DC, Los Angeles, San Diego, San Jose, Seattle, San Juan and countless communities beyond. The quartet has been called upon for return engagements at the National Gallery of Art, Friends of Chamber Music in Portland, Chamber Music at Beall, and the SA'OAXACA International Music Festival in Mexico among others. Upcoming appearances include the Bravo!Vail Music Festival, Virginia Arts Festival, Princeton University Summer Chamber Concerts and Maverick Concerts. In addition to works of the masters from Haydn to Brahms and Amaya to Piazzolla, the group's adventurous and entertaining programming includes new works for quartet with percussionist Orlando Cotto, and quintets both Latin and Classical with the renowned clarinetist Ricardo Morales, principal clarinetist of The Philadelphia Orchestra, and with acclaimed pianist Vanessa Perez. The Dali Quartet has an ongoing collaboration with the Van Cliburn Competition's gold-medal winning pianist Olga Kern, with whom they have toured from coast to coast and recorded the piano quintets of Brahms and Shostakovich released on the Delos label. The Dali Quartet is the 2021 recipient of Chamber Music America's Guarneri String Quartet Residency, funded by the Sewell Family Foundation, and the 2021 Silver Medal at the inaugural Piazzolla Music Competition. The quartet is also the 2019 recipient of the Atlanta Symphony's esteemed Aspire Award for accomplished African American and Latino Musicians. The Dali is devoted to audience development and to reaching communities of all kinds. The group's Latin Fiesta Workshops and Family Concerts in both traditional and innovative settings move listeners - literally! The Dali Quartet is sought after for master classes and professional development workshops for students, (recently at the National Repertory Orchestra, Miami University, Michigan State, the University of Wisconsin, and the University of Iowa) and has opened musical vistas for younger kids with it's week-long Any Given Child programs (over three seasons for the Tulsa Public School System). In addition, the quartet's International Music Festival is an admired chamber music and orchestral program founded in 2004 which develops the performance skills of young musicians up through semi-professional level. The Dali has also served as a guest resident ensemble at Lehigh University. Trained by world-renowned artists, members of the Dali Quartet are from Venezuela, Puerto Rico and the US, and have degrees from esteemed institutions including the New England Conservatory, Cleveland Institute of Music, Juilliard, Indiana University Bloomington, and the Simon Bolivar Conservatory in Caracas, Venezuela. The quartet is based in Philadelphia, PA. The quartet serves as faculty at West Chester University Wells School of Music as the Quartet in Residence, and is an Iris Collective Resident Ensemble.

CD / Les Freres / Piano Infinity (SHM-CD) / UCCY-1080

Piano Infinity (SHM-CD)Les Freresレフレール れふれーる 発売日 : 2017年9月20日 種別 : CD JAN : 4988031234631 商品番号 : UCCY-1080【商品紹介】レ・フレール(斎藤守也・斎藤圭土)が88の鍵盤で創りだす、世代・国境・時空を超える無限の音世界!音の粒が描きだすあまたのカラフルなシーンと物語。ピアノ1台の限りない可能性を追究するレ・フレール、待望のアルバム!【収録内容】CD:11.明日へ2.The Gambler3.挑戦者4.幻想曲～サン・ジェルマン伯爵～5.真夜中の音楽会6.あなたの生まれた日7.海、落日の祈り8.悪魔のしっぽ9.海へ行こう10.大風車輪11.Fancy fair12.Summer night13.Be joyful14.DD ROCK

CD / サラ・オレイン / セレステ (SHM-CD+Blu-ray) (限定盤) / UCCY-9014

セレステ (SHM-CD+Blu-ray) (限定盤)サラ・オレインオレイン サラ おれいん さら 発売日 : 2012年6月20日 種別 : CD JAN : 4988005716149 商品番号 : UCCY-9014【商品紹介】”100年に一人”現れた天性のヴォーカリスト、サラ・オレインのアルバム。サラ本人の書き下ろしタイアップ曲、オリジナル曲のほか、1970年代にヒットしたブレッドやジョニ・ミッチェルの楽曲から、小田和正まで、あらゆるジャンルのハートフルな名曲をセレクト。とりわけ40～50歳代には心に響くメロディが詰まった作品。【収録内容】CD:11.If2.コッポンゲン3.Both Sides Now(青春の光と影)4.My Favorite Things(私のお気に入り)5.私の好きな月(「枕草子」より)6.I Still Call Australia Home7.ニュー・シネマ・パラダイス8.Summer Rain9.比べられない(「枕草子」第68段より)10.L'Appuntamento(約束)11.言葉にできない12.Breathe in me13.「タイムトラベラーズ」エンディング・テーマ(ボーナス・トラック)BD:21.Breathe in me(Music Clip)2.Breathe in me(Making)

【取寄商品】CD / GOJOIN RYO / Fabulous / APWA-30

【 お取り寄せにお時間をいただく商品となります 】 ・入荷まで長期お時間をいただく場合がございます。 ・メーカーの在庫状況によってはお取り寄せが出来ない場合がございます。 ・発送の都合上すべて揃い次第となりますので単品でのご注文をオススメいたします。 ・手配前に「ご継続」か「キャンセル」のご確認を行わせていただく場合がございます。 当店からのメールを必ず受信できるようにご設定をお願いいたします。 FabulousGOJOIN RYOゴジョウインリョウ ごじょういんりょう 発売日 : 2023年4月05日 種別 : CD JAN : 4562132036532 商品番号 : APWA-30【商品紹介】2021年、TikTokに突如として現れ、大きな話題となって以来、常に”おゴージャス”なピアノの旋律で世を騒がせているピアニスト”五条院凌”。独特な語り口調、ユニークでお上品なキャラクターは同世代の女性に絶大な支持を得ている。この度、2022年12月にリリースした1st Album『Fabulous』(ファビュラス)の通常盤をリリース。1st、2nd から厳選し、本人が納得いくまで時間をかけて新たに録音した9曲と書き下ろしの新曲3曲という”おゴージャス”な構成となっている。【収録内容】CD:11.ARTEMIS～美しきお月光に照らされ、君は何を想ふ～(Album ver.)2.CASTLE～迷宮の城～(Album ver.)3.Rose Waltz4.TOCCATA5.INFERNO GATE～煉獄の門～(Album ver.)6.Song of Fire～炎の唄～7.ILLUSION8.Rondo～輪舞曲～9.おLOVE(Album ver.)10.ENDLESS SUMMER11.echo12.Lento e cantabile

【ただ今クーポン発行中です】【輸入盤CD】【新品】Grieg/Plano/Del Negro / Complete Music For Piano 4-Hands Peer Gynt Suites【K2023/5/26発売】

発売日: 2023/5/26輸入盤USレーベル: Brilliant Classics収録曲:コメント:During the years leading up to the beginning of the 20th century, Edvard Grieg was the most significant Scandinavian composer. He was educated at the Leipzig Conservatory, where his early influences were Schubert and Schumann. Like all of his fellow countrymen of that generation, he was orientated towards Denmark, the Danish language and Danish culture in general. He spent much time in Copenhagen. Later, in his early 20s, he developed an affinity for Norwegian peasant culture thanks to the influence of the great Norwegian musician Ole Bull. That effected a major change in his musical outlook, and for the rest of his life he immersed himself in Norwegian literature and folk music. It became a major part of his artistic philosophy and placed him firmly in the ranks of the nationalist composers that characterised the second half of the 19th century. The 4 Norwegian dances Op.35 are arrangements for piano four-hands of old folk tunes that Grieg took from a collection published by the musician and researcher Ludvig Mathias Lindeman. The composition was sketched in Copenhagen in January 1880 and brought to completion in the summer of the following year during a holiday in Lofthus. Grieg's Symphony in C minor EG 119 was composed in 1863-64, when Grieg was 20, and the melodies of it's second and third movements later came to be known in the present arrangement for piano duet known as 2 Symphonic Pieces Op.14. Grieg's name is notably tied to important stage works, among them Ibsen's Peer Gynt, one of the most performed plays in Norway. Grieg composed a score for the play of some 90 minutes of incidental music, from which he selcted the most beautiful numbers for two orchestral suites which he arranged in versions for piano solo and piano four-hands. Grieg wrote the 2 Walzer-Capricen Op.37 for piano four hands in 1883, after he and his lyric soprano wife, Nina, had reconciled after an estrangement and were once again happy together, travelling and performing in Germany and Rome. The 2 Nordic Melodies Op.63 were originally written for string orchestra in 1895 and published the following year along with arrangements for piano solo and piano duet. The work is dedicated to the Norwegian and Swedish ambassador to Paris Frederik Due, an enthusiastic amateur musician and composer and a member of the Royal Swedish Academy of Music. Due sent Grieg some compositions for violin and piano, and one of his melodies appears in the first piece: 'In Folk Style'. The second piece, comprising the 'Cow-Call' and 'Peasant Dance', is a reworking of two pieces (Nos. 18 and 22) from Grieg's Op.17 (25 Norwegian Folk Ballads and Dances).During the years leading up to the beginning of the 20th century, Edvard Grieg was the most significant Scandinavian composer. He was educated at the Leipzig Conservatory, where his early influences were Schubert and Schumann. Like all of his fellow countrymen of that generation, he was orientated towards Denmark, the Danish language and Danish culture in general. He spent much time in Copenhagen. Later, in his early 20s, he developed an affinity for Norwegian peasant culture thanks to the influence of the great Norwegian musician Ole Bull. That effected a major change in his musical outlook, and for the rest of his life he immersed himself in Norwegian literature and folk music. It became a major part of his artistic philosophy and placed him firmly in the ranks of the nationalist composers that characterised the second half of the 19th century. The 4 Norwegian dances Op.35 are arrangements for piano four-hands of old folk tunes that Grieg took from a collection published by the musician and researcher Ludvig Mathias Lindeman. The composition was sketched in Copenhagen in January 1880 and brought to completion in the summer of the following year during a holiday in Lofthus. Grieg's Symphony in C minor EG 119 was composed in 1863-64, when Grieg was 20, and the melodies of it's second and third movements later came to be known in the present arrangement for piano duet known as 2 Symphonic Pieces Op.14. Grieg's name is notably tied to important stage works, among them Ibsen's Peer Gynt, one of the most performed plays in Norway. Grieg composed a score for the play of some 90 minutes of incidental music, from which he selcted the most beautiful numbers for two orchestral suites which he arranged in versions for piano solo and piano four-hands. Grieg wrote the 2 Walzer-Capricen Op.37 for piano four hands in 1883, after he and his lyric soprano wife, Nina, had reconciled after an estrangement and were once again happy together, travelling and performing in Germany and Rome. The 2 Nordic Melodies Op.63 were originally written for string orchestra in 1895 and published the following year along with arrangements for piano solo and piano duet. The work is dedicated to the Norwegian and Swedish ambassador to Paris Frederik Due, an enthusiastic amateur musician and composer and a member of the Royal Swedish Academy of Music. Due sent Grieg some compositions for violin and piano, and one of his melodies appears in the first piece: 'In Folk Style'. The second piece, comprising the 'Cow-Call' and 'Peasant Dance', is a reworking of two pieces (Nos. 18 and 22) from Grieg's Op.17 (25 Norwegian Folk Ballads and Dances).

【ただ今クーポン発行中です】【輸入盤CD】【新品】C.P.E. Bach/J.S. Bach/Hakkinen / Fantasias【K2023/5/26発売】

発売日: 2023/5/26輸入盤USレーベル: Brilliant Classics収録曲:コメント:Carl Philipp Emanuel Bach was widely known for his passionate, incomparable improvisations on the clavichord, most characteristically in the form of free fantasia. His compositions were unique in style, full of contrasts, and universally admired by several generations; the Vienna Classicists, even Beethoven and Schubert, considered him their musical father. Declamatory, improvisatory style is of course the epitaph of all 18th-century music - exemplified in Johann Sebastian Bach's Chromatic Fantasia BWV903, with it's central recitative and broken chords audaciously passing through distant harmonies. Johann Nikolaus Forkel, author of the first Bach biography and part of C.P.E. Bach's literary circles, transmitted a refined version in his manuscript (P 212) and subsequent edition that may derive from a revised original version once in possession of the Bach sons. C.P.E. Bach's Fantasia in C minor (published in 1753) bears distinct similarities to his father's Fantasia chromatica, and it has been suggested that it may in fact have been a tombeau to the elder Bach. The deep personal nature and connection between the two works is explicit. For Carl Philipp Emanuel Bach and the 'Bachists', the most expressive and intimate compositions were reserved for the clavichord. It was in the clavichord that one might 'find the soundboard of your heart.... Have no regrets when alone under the moonlight you improvise, or refresh your soul on a summer night, or when you celebrate a spring evening; ah! Then pine not for the strident harpsichord. See, your clavichord breathes as gently as your heart.' (Ch.F.D. Schubart: Musikalische Rhapsodien III, 1786) Charles Burney, who visited C.P.E. Bach in Hamburg in 1772, described the composer improvising at his legendary clavichord, built by Gottfried Silbermann: 'He grew so animated and possessed that he not only played but looked like one inspired. His eyes were fixed, his lower lip fell, and drops of effervescence distilled from his countenance.' The original 18th-century instruments heard on this recording - from Regensburg, Stockholm and Vienna - demonstrate possibilities the like of which would have been known to Carl Philipp Emanuel Bach in Berlin and Hamburg and ultimately derive from the Saxon school of G. Silbermann.Carl Philipp Emanuel Bach was widely known for his passionate, incomparable improvisations on the clavichord, most characteristically in the form of free fantasia. His compositions were unique in style, full of contrasts, and universally admired by several generations; the Vienna Classicists, even Beethoven and Schubert, considered him their musical father. Declamatory, improvisatory style is of course the epitaph of all 18th-century music - exemplified in Johann Sebastian Bach's Chromatic Fantasia BWV903, with it's central recitative and broken chords audaciously passing through distant harmonies. Johann Nikolaus Forkel, author of the first Bach biography and part of C.P.E. Bach's literary circles, transmitted a refined version in his manuscript (P 212) and subsequent edition that may derive from a revised original version once in possession of the Bach sons. C.P.E. Bach's Fantasia in C minor (published in 1753) bears distinct similarities to his father's Fantasia chromatica, and it has been suggested that it may in fact have been a tombeau to the elder Bach. The deep personal nature and connection between the two works is explicit. For Carl Philipp Emanuel Bach and the 'Bachists', the most expressive and intimate compositions were reserved for the clavichord. It was in the clavichord that one might 'find the soundboard of your heart.... Have no regrets when alone under the moonlight you improvise, or refresh your soul on a summer night, or when you celebrate a spring evening; ah! Then pine not for the strident harpsichord. See, your clavichord breathes as gently as your heart.' (Ch.F.D. Schubart: Musikalische Rhapsodien III, 1786) Charles Burney, who visited C.P.E. Bach in Hamburg in 1772, described the composer improvising at his legendary clavichord, built by Gottfried Silbermann: 'He grew so animated and possessed that he not only played but looked like one inspired. His eyes were fixed, his lower lip fell, and drops of effervescence distilled from his countenance.' The original 18th-century instruments heard on this recording - from Regensburg, Stockholm and Vienna - demonstrate possibilities the like of which would have been known to Carl Philipp Emanuel Bach in Berlin and Hamburg and ultimately derive from the Saxon school of G. Silbermann.

【ただ今クーポン発行中です】【輸入盤CD】【新品】L.W. Beethoven/Ohlsson / Complete Beethoven Piano Concertos (SACD)【K2023/5/12発売】ベートーヴェン ピアノ協奏曲全集

2023/5/12 発売輸入盤レーベル:REFERENCE RECORDINGS収録曲：ギャリック・オールソンGreat Performances, Great Sound and World-Renowned Artists! Reference Recordings is proud to present The Complete Beethoven Piano Concertos played by Grammy-winning Garrick Ohlsson, performing with the Grand Teton Music Festival Orchestra, conducted by Sir Donald Runnicles. A student of the late Claudio Arrau, Mr. Ohlsson is especially noted for his masterly performances of the works of Mozart, Beethoven and Schubert, as well as the Romantic repertoire. He is the only American to win first prize in the International Chopin Piano Competition. This new recording represents a pinnacle in his career. The Grand Teton Music Festival Orchestra consists of top talent from across the country, including more than 220 musicians from 90 orchestras and 65 institutions of higher learning, many performing together each summer for over 25 years. The Festival, founded in 1962, also welcomes yearly some of the most sought-after soloists and visiting artists in classical music today. Under the baton of world-renowned conductor Sir Donald Runnicles, these musicians come together to gather inspiration from the mountain setting and to provide spectacular music for Festival audiences. This album was recorded during live performances in July 2022, produced by Victor Muenzer, and engineered by Kevin Harbison.SUPER-AUDIO CD

【ただ今クーポン発行中です】【輸入盤CD】【新品】Nishimura/Takahashi/Huisman / Piano Music【K2023/4/21発売】

2023/4/21 発売輸入盤レーベル:PIANO CLASSICS収録曲：Two major contemporary Japanese composers, writing for the piano with vivid imagery and brightly piercing harmony. Born in Osaka in 1953, Akira Nishimura is one of Japan's most distinguished living composers, extensively performed and recorded, though many of those albums are unavailable internationally. He has contributed to all the major classical genres including opera. There is a slow but irresistible momentum to the pull of his harmony in most of his orchestral works which is shared by the trio of pieces recorded by Lucas Huisman. Nishimura's Mirror of Star (1992) is a musical picture of the night sky which imbues the melody line with subtle echo effects, like a halo of reverberation: 'calm on the surface but obsessional anxiety deeper down,' according to the composer. Two years later, he completed a set of three Visions for piano, titled of Aqua, Flame, and Invoker. Flame uses only the bottom ten notes of the piano, glowing with overtones like Mirror of Star. Aqua is inspired by the river Ganges and the rituals of burial which take place on it's waters, while Invoker is a prayer using the technique of heterophony which overlays subtly different versions of the same melody. Finally, from 1987, Carillons of Ekstasis also makes extensive use of the piano's lower register as well as the top octave to evoke the starry heavens and the gap between them and us. Born in 1986, Keitaro Takahashi has studied and worked in both his native Japan and in Europe (especially Switzerland), and his music fulfils an ambition to integrate those disparate cultures by employing instrumental, electronic, or environmental sounds according to East Asian philosophies and concepts. Furin evokes a traditional Japanese wind chime made of glass or pottery in a sound portrait of a Japanese summer which is gently distanced by preparing the piano with rubber tuning mutes. From 2014, Ryouka also uses a prepared piano in a tone portrait of the towering mountain ridges of the Tateyama range and in particular a painting of them by the Hiroshima-born artist Genso Okuda. Shikkun (2018, rev 2022) is scored for piano four hands; like Ryouka, the title is a neologism coined by Takahashi to describe a state of simultaneous motion and stillness which he came up with on a mountain bike-ride in Japan. Contemporary piano music by two leading Japanese composers: Keitaro Takahashi and Akira Nishimura, a fascinating journey of unheard sounds, harmonies, colours and timbres. Keitaro Takahashi born 1986 in Tokyo, is a Japanese composer, media artist, and programmer. He currently is a research fellow at CeReNeM (Center for Research in New Music) at the University of Huddersfield in the UK. With his artistic background established both in Japan and Switzerland, his artistic interests as a composer mainly focus on creating musical gestures and acoustic associations under the concept of the morphology of sound textures and the mixture of various compositional techniques such as Heterophony, Micropolyphony, and Micro montage music. Akira Nishimura was born in Osaka in 1953. He studied composition and music theory at the Tokyo National University of Fine Arts and Music. While studying contemporary Western compositional techniques, he also developed a strong interest in traditional Asian music, religion, aesthetics, cosmology, etc. Which led him to develop the concept of heterophony and other forms of music. His works won many prizes, among which the ExxonMobil Music Prize, Queen Elizabeth International Music Composition Competition and the Luigi Dallapiccola Composition Award. Belgian pianist Lukas Huisman is one of the most remarkable and original pianists of his generation. From 2012 to 2016 he worked on an artistic doctoral project relating to contemporary complex solo piano music (Ferneyhough, Finnissy, Xenakis, Sorabji) at the School of Arts Ghent/University Ghent. He premiered Sorabji's Symphonic Nocturne (PCLD0119) and recorded this monumental piece for solo piano on the Piano Classics label, for which he also recorded the piano music by Takemitsu (PCL10147), which was nominated for the Preis der deutschen Schallplattenkritik. He also recorded Michael Finnissy's Gershwin Arrangements (PCL10218).

【ただ今クーポン発行中です】【輸入盤CD】【新品】Murschhauser/Manfre / Prototypon Longo-Breve Organicum【K2023/4/21発売】

発売日: 2023/4/21輸入盤USレーベル: Brilliant Classics収録曲:コメント:Franz Xaver Murschhauser was born in the summer of 1663. In 1676 Murschhauser joined the choir and orchestra of St Peter's, where he benefited first from the tuition he received from the church's choir director Sigmund Auer and later, from 1684 to 1693, from the Court Kapellmeister Johann Kaspar Kerll, which left a lasting impression on him. In July 1690, most probably on the recommendation of his teacher Johann Kaspar Kerll, Murschhauser was asked to stand in for the choirmaster of the Munich Frauenkirche, Ludwig Holz, who was indisposed owing to illness. After the latter's death in 1691, Murschhauser became his successor, holding the position for the remainder of his life. The Prototypon Longo-Breve Organicum (which might be translated as 'Prototypes for organ pieces, long and short') was published in two parts in Nuremberg in 1703 and 1707 and contains eight cycles/sections totalling 46 compositions, comprising varying numbers of intonations, praeambulae, fugues, canzonas, toccatas and finales designed as preludes or postludes to figural music. In 20 of the more extensive numbers, Murschhauser indicates cuts as an aid for organists in liturgical use, if needed. It is precisely these sorts of adaptations of the musical material offered by the composer himself to suit the time available in liturgical performance that make the Prototypon such a practical and relevant work, right down to our own times. The intonations are made up of figures, broken chords and passages over a pedal point, deliberately kept free of any imitative interplay. The praeambulae consist either of motivic figurations with imitative passages and pedal points somewhat reminiscent of the style of Johann Pachelbel, or they are more akin to the old Italian toccata in their alternation of chord successions and scales. By contrast, the two toccate arpeggiate, with their full-voiced chordal writing and harmonic richness, point to the Overture in the French style which, at this time, was finding it's way into southern German music primarily through the work of Johann Kaspar Ferdinand Fischer. In his edition of the Prototypon (housed in Vol. 18 of Monuments of Musical Art in Bavaria), Max Seiffert writes: 'In all these pieces, Murschhauser demonstrates a remarkable creative power and contrapuntal skill'. In this respect, the Prototypon Longo-Breve Organicum by Franz Xaver Anton Murschhauser remains an important record of musical and organ performance in the southern German Early Baroque, and one that can still offer a valuable service to the organists of today.Franz Xaver Murschhauser was born in the summer of 1663. In 1676 Murschhauser joined the choir and orchestra of St Peter's, where he benefited first from the tuition he received from the church's choir director Sigmund Auer and later, from 1684 to 1693, from the Court Kapellmeister Johann Kaspar Kerll, which left a lasting impression on him. In July 1690, most probably on the recommendation of his teacher Johann Kaspar Kerll, Murschhauser was asked to stand in for the choirmaster of the Munich Frauenkirche, Ludwig Holz, who was indisposed owing to illness. After the latter's death in 1691, Murschhauser became his successor, holding the position for the remainder of his life. The Prototypon Longo-Breve Organicum (which might be translated as 'Prototypes for organ pieces, long and short') was published in two parts in Nuremberg in 1703 and 1707 and contains eight cycles/sections totalling 46 compositions, comprising varying numbers of intonations, praeambulae, fugues, canzonas, toccatas and finales designed as preludes or postludes to figural music. In 20 of the more extensive numbers, Murschhauser indicates cuts as an aid for organists in liturgical use, if needed. It is precisely these sorts of adaptations of the musical material offered by the composer himself to suit the time available in liturgical performance that make the Prototypon such a practical and relevant work, right down to our own times. The intonations are made up of figures, broken chords and passages over a pedal point, deliberately kept free of any imitative interplay. The praeambulae consist either of motivic figurations with imitative passages and pedal points somewhat reminiscent of the style of Johann Pachelbel, or they are more akin to the old Italian toccata in their alternation of chord successions and scales. By contrast, the two toccate arpeggiate, with their full-voiced chordal writing and harmonic richness, point to the Overture in the French style which, at this time, was finding it's way into southern German music primarily through the work of Johann Kaspar Ferdinand Fischer. In his edition of the Prototypon (housed in Vol. 18 of Monuments of Musical Art in Bavaria), Max Seiffert writes: 'In all these pieces, Murschhauser demonstrates a remarkable creative power and contrapuntal skill'. In this respect, the Prototypon Longo-Breve Organicum by Franz Xaver Anton Murschhauser remains an important record of musical and organ performance in the southern German Early Baroque, and one that can still offer a valuable service to the organists of today.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Brahms/Honigberg/Yungen / Cello Sonatas【K2023/4/21発売】

発売日: 2023/4/21輸入盤USレーベル: Centaur収録曲:コメント:Steven Honigberg is a graduate of the Juilliard School of Music where he studied with Leonard Rose and Channing Robbins. Hired under the leadership of Mstislav Rostropovich, he is currently a member of the National Symphony Orchestra. Mr. Honigberg has given recent recitals in Washington DC at the Dumbarton Concert Series, at the Phillips Collection, at the National Gallery of Art, and recitals in New York and throughout the United States. In Chicago (his home town) he has appeared on radio WFMT, at the Ravinia Festival, and as soloist with the Chicago Symphony Orchestra, Ars Viva Orchestra, Lake Forest Symphony and New Philharmonic Orchestra among others. In October 2014 Honigberg performed Andrzej Panufnik's Cello Concerto with conductor Marek Mos in Warsaw, Poland. He has appeared most recently in Washington, in 2015, as soloist with the National Symphony Orchestra in two performances at the Kennedy Center of Krzysztof Penderecki's Triple Cello Concerto with the NSO's Music Director Christoph Eschenbach. In 2009 Mr. Honigberg performed Erich Wolfgang Korngold's Cello Concerto with the NSO and won rave reviews for the 1988 world premiere of David Ott's Concerto for Two Cellos conducted by Mstislav Rostropovich and the National Symphony with repeat performances on two NSO United States tours. Mr. Honigberg was the Director of the Chamber Music series at the U.S. Holocaust Memorial Museum in Washington DC for eight years (40 concerts) where he premiered a number of new works by such composers as Lukas Foss, Benjamin Lees, Robert Starer and David Diamond. He participated in extensive recordings of concerts held at the museum, including four recordings of music from the music series in addition to CDs of Korngold and Ernst Toch's chamber music. He has recorded extensively with the Potomac String Quartet, including the nine string quartets composed by American Quincy Porter and the eleven quartets of David Diamond which John von Rein, music critic for the Chicago Tribune, chose as one of his top 20 CDs for 2003. Honigberg has also recorded the complete works of Beethoven for cello and piano, and the complete work of Chopin for cello and piano with his mother, Carol Honigberg. From 1990-2009, Honigberg was principal cellist, chamber music director of the Edgar M. Bronfman series in Sun Valley, Idaho where he was featured as soloist with the summer symphony in concerti by Barber, Bartok, Bloch, Boccherini, Dvorak, Elgar, Goldschmidt, Haydn, Korngold, Popper, Saint-Saens, Schumann, Shostakovich, Tchaikovsky and Walton. In the summer of 2014 Mr. Honigberg was professor of cello in an International Course of study in Valbonne Sophia Antipolis, France. Mr. Honigberg is a member of Gerard Schwarz's All-Star Orchestra, which in August 2012 convened in New York City to record 8 one-hour programs for PBS television. He is also a member of the Smithsonian Chamber Society, PostClassical Ensemble and the Phillips Camerata. Honigberg has collaborated in chamber music with such well-known musicians as violinist Hilary Hahn, and pianists Jean-Yves Thibaudet, Jon Nakamatsu, James Tocco and Shai Wosner. As author, in 2010 his first book was published: Leonard Rose: America's Golden Age and It's First Cellist. Honigberg performs on a Lorenzo Storioni cello made in Cremona in 1789.Steven Honigberg is a graduate of the Juilliard School of Music where he studied with Leonard Rose and Channing Robbins. Hired under the leadership of Mstislav Rostropovich, he is currently a member of the National Symphony Orchestra. Mr. Honigberg has given recent recitals in Washington DC at the Dumbarton Concert Series, at the Phillips Collection, at the National Gallery of Art, and recitals in New York and throughout the United States. In Chicago (his home town) he has appeared on radio WFMT, at the Ravinia Festival, and as soloist with the Chicago Symphony Orchestra, Ars Viva Orchestra, Lake Forest Symphony and New Philharmonic Orchestra among others. In October 2014 Honigberg performed Andrzej Panufnik's Cello Concerto with conductor Marek Mos in Warsaw, Poland. He has appeared most recently in Washington, in 2015, as soloist with the National Symphony Orchestra in two performances at the Kennedy Center of Krzysztof Penderecki's Triple Cello Concerto with the NSO's Music Director Christoph Eschenbach. In 2009 Mr. Honigberg performed Erich Wolfgang Korngold's Cello Concerto with the NSO and won rave reviews for the 1988 world premiere of David Ott's Concerto for Two Cellos conducted by Mstislav Rostropovich and the National Symphony with repeat performances on two NSO United States tours. Mr. Honigberg was the Director of the Chamber Music series at the U.S. Holocaust Memorial Museum in Washington DC for eight years (40 concerts) where he premiered a number of new works by such composers as Lukas Foss, Benjamin Lees, Robert Starer and David Diamond. He participated in extensive recordings of concerts held at the museum, including four recordings of music from the music series in addition to CDs of Korngold and Ernst Toch's chamber music. He has recorded extensively with the Potomac String Quartet, including the nine string quartets composed by American Quincy Porter and the eleven quartets of David Diamond which John von Rein, music critic for the Chicago Tribune, chose as one of his top 20 CDs for 2003. Honigberg has also recorded the complete works of Beethoven for cello and piano, and the complete work of Chopin for cello and piano with his mother, Carol Honigberg. From 1990-2009, Honigberg was principal cellist, chamber music director of the Edgar M. Bronfman series in Sun Valley, Idaho where he was featured as soloist with the summer symphony in concerti by Barber, Bartok, Bloch, Boccherini, Dvorak, Elgar, Goldschmidt, Haydn, Korngold, Popper, Saint-Saens, Schumann, Shostakovich, Tchaikovsky and Walton. In the summer of 2014 Mr. Honigberg was professor of cello in an International Course of study in Valbonne Sophia Antipolis, France. Mr. Honigberg is a member of Gerard Schwarz's All-Star Orchestra, which in August 2012 convened in New York City to record 8 one-hour programs for PBS television. He is also a member of the Smithsonian Chamber Society, PostClassical Ensemble and the Phillips Camerata. Honigberg has collaborated in chamber music with such well-known musicians as violinist Hilary Hahn, and pianists Jean-Yves Thibaudet, Jon Nakamatsu, James Tocco and Shai Wosner. As author, in 2010 his first book was published: Leonard Rose: America's Golden Age and It's First Cellist. Honigberg performs on a Lorenzo Storioni cello made in Cremona in 1789.

GOJOIN RYO / Fabulous [CD]

ゴジョウインリョウ ファビュラス詳しい納期他、ご注文時はお支払・送料・返品のページをご確認ください発売日2023/4/5GOJOIN RYO / Fabulousファビュラス ジャンル クラシックその他 関連キーワード GOJOIN RYO2021年、TikTokに突如として現れ、大きな話題となって以来、常に“おゴージャス”なピアノの旋律で世を騒がせているピアニスト“五条院凌”。独特な語り口調、ユニークでお上品なキャラクターは同世代の女性に絶大な支持を得ている。この度、2022年12月にリリースした1st Album『Fabulous』（ファビュラス）の通常盤をリリース。1st、2nd から厳選し、本人が納得いくまで時間をかけて新たに録音した9曲と書き下ろしの新曲3曲という“おゴージャス”な構成となっている。 （C）RSデジパック／オリジナル発売日：2022年12月※こちらの商品はインディーズ盤のため、在庫確認にお時間を頂く場合がございます。収録曲目11.ARTEMIS～美しきお月光に照らされ、君は何を想ふ～ （Album ver.）(2:21)2.CASTLE～迷宮の城～ （Album ver.）(3:03)3.Rose Waltz(3:25)4.TOCCATA(2:28)5.INFERNO GATE～煉獄の門～ （Album ver.）(4:10)6.Song of Fire～炎の唄～(2:38)7.ILLUSION(2:57)8.Rondo～輪舞曲～(2:39)9.おLOVE （Album ver.）(4:00)10.ENDLESS SUMMER(3:03)11.echo(3:33)12.Lento e cantabile(4:21) 種別 CD JAN 4562132036532 収録時間 38分38秒 組枚数 1 製作年 2023 販売元 PCI MUSIC登録日2023/03/10

GOJOIN RYO / Fabulous [CD]

ゴジョウインリョウ ファビュラス詳しい納期他、ご注文時はお支払・送料・返品のページをご確認ください発売日2023/4/5GOJOIN RYO / Fabulousファビュラス ジャンル クラシックその他 関連キーワード GOJOIN RYO2021年、TikTokに突如として現れ、大きな話題となって以来、常に“おゴージャス”なピアノの旋律で世を騒がせているピアニスト“五条院凌”。独特な語り口調、ユニークでお上品なキャラクターは同世代の女性に絶大な支持を得ている。この度、2022年12月にリリースした1st Album『Fabulous』（ファビュラス）の通常盤をリリース。1st、2nd から厳選し、本人が納得いくまで時間をかけて新たに録音した9曲と書き下ろしの新曲3曲という“おゴージャス”な構成となっている。 （C）RSデジパック／オリジナル発売日：2022年12月※こちらの商品はインディーズ盤のため、在庫確認にお時間を頂く場合がございます。収録曲目11.ARTEMIS～美しきお月光に照らされ、君は何を想ふ～ （Album ver.）(2:21)2.CASTLE～迷宮の城～ （Album ver.）(3:03)3.Rose Waltz(3:25)4.TOCCATA(2:28)5.INFERNO GATE～煉獄の門～ （Album ver.）(4:10)6.Song of Fire～炎の唄～(2:38)7.ILLUSION(2:57)8.Rondo～輪舞曲～(2:39)9.おLOVE （Album ver.）(4:00)10.ENDLESS SUMMER(3:03)11.echo(3:33)12.Lento e cantabile(4:21) 種別 CD JAN 4562132036532 収録時間 38分38秒 組枚数 1 製作年 2023 販売元 PCI MUSIC登録日2023/03/10

【ただ今クーポン発行中です】【輸入盤CD】【新品】Holst/Symphonieorchester Des Bayerischen / Die Planeten - The Planets Suite Fur Orchester【K2023/4/7発売】ホルスト/惑星/ダニエル・ハーディング(指揮) /バイエルン放送交響楽団

発売日: 2023/4/7輸入盤USレーベル: BR Klassiks収録曲:コメント:Seven musical character images - each one immensely sensual and expressive, and standing on it's own like a monument. The British composer Gustav Holst, fascinated by (esoteric) astrology, chose the planets of our solar system and the characteristics attributed to them as the basis for what he referred to as musical "mood pictures" or "embodiments". Ultimately, the seven movements of his orchestral suite "The Planets", op. 32, composed between 1914 and 1916, can also be understood as general explorations of human traits. The work had not been performed by the Bavarian Radio Symphony Orchestra for almost three decades when, on February 25, 2022, the British conductor Daniel Harding brought it back to Munich's concert audience in the Herkulessaal of the Residenz, and with great success. During a trip to Mallorca in the summer of 1913, Holst's friend Clifford Bax introduced him to astrology for the first time and the composer immediately began to draw up horoscopes for himself and his acquaintances. The extent to which he actually believed in the influence of celestial bodies on personality formation played only a subordinate role here; it was the notion of a holistic system that could encompass both man and the world that fascinated him the most. His interest in astrology also offered him a welcome break from the monotony of his life as a teacher - at St. Paul's School for Girls and at Morley College, where he taught working-class adults. A first (private) performance of the orchestral suite took place on September 29, 1918 at the Queen's Hall in London, with Adrian Boult conducting. Public performances of individual movements followed. A few months before the first public performance of the complete work, presented by Albert Coates and the London Symphony Orchestra on November 15, 1920, Holst revealed it's cosmic subject. Before then, only the initiated knew what lay behind the rather cryptic movement designations. At the premiere it was above all "Mars, the Bringer of War" that struck a chord with a nation traumatised by World War One. Remarkably, Holst had already written this first movement of his suite in the summer of 1914, when the countries of Europe were still merely engaged in patriotic sabre-rattling. His clear-sighted portrait of the destructive machinery of war - in the relentlessly repeated 5/4 march rhythm - runs counter to the positivist characterisation of "Mars the Warrior" in conventional astrology.Seven musical character images - each one immensely sensual and expressive, and standing on it's own like a monument. The British composer Gustav Holst, fascinated by (esoteric) astrology, chose the planets of our solar system and the characteristics attributed to them as the basis for what he referred to as musical "mood pictures" or "embodiments". Ultimately, the seven movements of his orchestral suite "The Planets", op. 32, composed between 1914 and 1916, can also be understood as general explorations of human traits. The work had not been performed by the Bavarian Radio Symphony Orchestra for almost three decades when, on February 25, 2022, the British conductor Daniel Harding brought it back to Munich's concert audience in the Herkulessaal of the Residenz, and with great success. During a trip to Mallorca in the summer of 1913, Holst's friend Clifford Bax introduced him to astrology for the first time and the composer immediately began to draw up horoscopes for himself and his acquaintances. The extent to which he actually believed in the influence of celestial bodies on personality formation played only a subordinate role here; it was the notion of a holistic system that could encompass both man and the world that fascinated him the most. His interest in astrology also offered him a welcome break from the monotony of his life as a teacher - at St. Paul's School for Girls and at Morley College, where he taught working-class adults. A first (private) performance of the orchestral suite took place on September 29, 1918 at the Queen's Hall in London, with Adrian Boult conducting. Public performances of individual movements followed. A few months before the first public performance of the complete work, presented by Albert Coates and the London Symphony Orchestra on November 15, 1920, Holst revealed it's cosmic subject. Before then, only the initiated knew what lay behind the rather cryptic movement designations. At the premiere it was above all "Mars, the Bringer of War" that struck a chord with a nation traumatised by World War One. Remarkably, Holst had already written this first movement of his suite in the summer of 1914, when the countries of Europe were still merely engaged in patriotic sabre-rattling. His clear-sighted portrait of the destructive machinery of war - in the relentlessly repeated 5/4 march rhythm - runs counter to the positivist characterisation of "Mars the Warrior" in conventional astrology.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Goltermann/Eduard/Aliyev / Cello Concerto No. 1 Symphony Op. 20 Ballad【K2023/4/7発売】ゲオルク・エドゥアルド・ゴルターマン

2023/4/7 発売輸入盤レーベル： CAPRICCIO収録曲：Seven musical character images - each one immensely sensual and expressive, and standing on it's own like a monument. The British composer Gustav Holst, fascinated by (esoteric) astrology, chose the planets of our solar system and the characteristics attributed to them as the basis for what he referred to as musical "mood pictures" or "embodiments". Ultimately, the seven movements of his orchestral suite "The Planets", op. 32, composed between 1914 and 1916, can also be understood as general explorations of human traits. The work had not been performed by the Bavarian Radio Symphony Orchestra for almost three decades when, on February 25, 2022, the British conductor Daniel Harding brought it back to Munich's concert audience in the Herkulessaal of the Residenz, and with great success. During a trip to Mallorca in the summer of 1913, Holst's friend Clifford Bax introduced him to astrology for the first time and the composer immediately began to draw up horoscopes for himself and his acquaintances. The extent to which he actually believed in the influence of celestial bodies on personality formation played only a subordinate role here; it was the notion of a holistic system that could encompass both man and the world that fascinated him the most. His interest in astrology also offered him a welcome break from the monotony of his life as a teacher - at St. Paul's School for Girls and at Morley College, where he taught working-class adults. A first (private) performance of the orchestral suite took place on September 29, 1918 at the Queen's Hall in London, with Adrian Boult conducting. Public performances of individual movements followed. A few months before the first public performance of the complete work, presented by Albert Coates and the London Symphony Orchestra on November 15, 1920, Holst revealed it's cosmic subject. Before then, only the initiated knew what lay behind the rather cryptic movement designations. At the premiere it was above all "Mars, the Bringer of War" that struck a chord with a nation traumatised by World War One. Remarkably, Holst had already written this first movement of his suite in the summer of 1914, when the countries of Europe were still merely engaged in patriotic sabre-rattling. His clear-sighted portrait of the destructive machinery of war - in the relentlessly repeated 5/4 march rhythm - runs counter to the positivist characterisation of "Mars the Warrior" in conventional astrology.チェロ協奏曲第1番/交響曲 他 ハワード・グリフィス

【中古】 ウォレス 、 ウィリアム・ヴィンセント(1812-1865) / Piano Works Vol.1: R.tuck 【CD】

状態可中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら商品説明（こちらは新品の商品説明となります。参考として下さいませ。中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません。）ウィリアム・ヴィンセント・ウォーレス：ミーティング・オブ・ザ・ウォーターズローズマリー・タック(pf)曲目リストDisc11.The Minstrel Boy / Rory O'Moore/2.Bards Legacy, The/3.Coolun, Gary Owen / St. Patrick's Day/4.The Meeting Of The Waters / Eveleen's Bower/5.Melodie Irlandaise/6.Annie Llaurie/7.Roslin Castle: / A Highland Lad My Love Was Born/8.Homage To Burns: Impromptu On Somebody / O, For Ane And Twenty Tam/9.Keel Row, The/10.Ye Banks And Braes/11.Charlie Is My Darling / The Campbells Are Coming/12.My Love Is Like A Red, Red Rose / Come O'er The Stream Charlie/13.Comin' Thro' The Rye/14.Last Rose Of Summer, The/15.Kate Kearny / Tow, Row, Row/16.Robin Adair/17.Auld Lang Syne / The Highland Laddie

【中古】 Prokofiev プロコフィエフ / Peter & Wolf, Winter Bonfire, Etc: Corp / New London.o, O & G.prokofiev(Narr) 【CD】

状態可状態詳細未開封中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら曲目リストDisc11.Winter Bonfire, Op. 122/2.Winter Bonfire, Op. 122/3.Winter Bonfire, Op. 122/4.Winter Bonfire, Op. 122/5.Winter Bonfire, Op. 122/6.Winter Bonfire, Op. 122/7.Winter Bonfire, Op. 122/8.Winter Bonfire, Op. 122/9.Summer Day, Op. 65a/10.Summer Day, Op. 65a/11.Winter Bonfire, Op. 122/12.Winter Bonfire, Op. 122/13.Winter Bonfire, Op. 122/14.Winter Bonfire, Op. 122/15.Winter Bonfire, Op. 122/16.Ugly Duckling, Op. 18/17.Peter and the Wolf, Op. 67/18.Peter and the Wolf, Op. 67

【ただ今クーポン発行中です】【輸入盤CD】【新品】Mendelssohn/Kuijk / Complete String Quartets Vol. 2【K2023/3/10発売】

発売日: 2023/3/10輸入盤USレーベル: Alpha収録曲:コメント:After a first volume praised by the press, including an Editor's Choice in Gramophone, the Quatuor Van Kuijk concludes it's complete recording of Mendelssohn's string quartets with op.44 nos. 2 and 3 and the Quartet op.80, which bears the mark of the sudden death in 1847 of his sister Fanny, to whom he was very close, at the age of only forty-two. As Stephane Goldet writes in the booklet: 'The act of resistance that is the Quartet op.80, written in a single burst during the summer of 1847, it's overwhelming "No, not that, not her!" shouted by four instruments for twenty-five minutes, was to be the composer's last completed work. The four movements of this "confrontation with grief" (Bernard Fournier) in F minor are to be played con dolore, although that marking never appears in the score.' She goes on to quote Brigitte Francois-Sappey: 'This "Requiem for Fanny" might be called "Death and the Young Woman". As in Schubert's last two quartets, the strings shiver in tremolos over ostinato pedals, like death knells.'After a first volume praised by the press, including an Editor's Choice in Gramophone, the Quatuor Van Kuijk concludes it's complete recording of Mendelssohn's string quartets with op.44 nos. 2 and 3 and the Quartet op.80, which bears the mark of the sudden death in 1847 of his sister Fanny, to whom he was very close, at the age of only forty-two. As Stephane Goldet writes in the booklet: 'The act of resistance that is the Quartet op.80, written in a single burst during the summer of 1847, it's overwhelming "No, not that, not her!" shouted by four instruments for twenty-five minutes, was to be the composer's last completed work. The four movements of this "confrontation with grief" (Bernard Fournier) in F minor are to be played con dolore, although that marking never appears in the score.' She goes on to quote Brigitte Francois-Sappey: 'This "Requiem for Fanny" might be called "Death and the Young Woman". As in Schubert's last two quartets, the strings shiver in tremolos over ostinato pedals, like death knells.'

【中古】 Grieg グリーグ / Songs Vol.4: Groop(Ms) Vignoles(P) 【CD】

状態可状態詳細ケースすれコメントジャケット若干傷み中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら商品説明（こちらは新品の商品説明となります。参考として下さいませ。中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません。）グリーグ：歌曲集 第4集・パウルセンの詩による5つの歌 Op.26・ヴィニエの詩による12の歌 Op.33・わたしの小さな鳥 EG.126・こけもも EG.145・ L.M.リンデマンの銀婚式に EG.135・彼女は教会へ歩いて行った EG.123・白と赤のばら EG.137・オダリスクの歌 EG.131・ハマルの廃墟にて EG.140・イェンタ EG.141・総領事クリスチャン・トンスベルグへ EG.136 モニカ・グロープ（メゾ・ソプラノ） ロジャー・ヴィーニョルズ（ピアノ）曲目リストDisc11.She Walked to the Church (Til Kirken Hun Vandrede)/2.No. 1, Hope (Et Hab)/3.No. 2, I Walked One Balmy Summer Eve (Jeg Reiste en Deilig Sommkvaeld)/4.My Little Bird (Min Lille Fugl)/5.No. 3, the Ambitious One (Den Aergjerrige)/6.On Hamar's Ruins (Pa Hamars Ruiner)/7.(The) White and the Red Rose (Den Hvide, Rode Rose)/8.For L. M. Lindeman's Silver Wedding (Til L. M. Lindemans Solvbryllup)/9.(The) Blueberry (Blab Ret)/10.No. 5, On a Woodland Path (Pa Skogstien)/11.(The) Girl (Gjenta)/12.Song of the Odalisque (Odalisken Synger)/13.No. 4, with a Primrose (Med en Primulaveris)/14.To Christian Tonsberg (Til Generalkonsul Tonsberg)

【ただ今クーポン発行中です】【輸入盤CD】【新品】Medtner/Levental/Peters / Wandrers Nachtlied【K2023/2/3発売】

発売日: 2023/2/3輸入盤USレーベル: Brilliant Classics収録曲:コメント:New recordings of Goethe and Heine settings by a master Russian song-writer, by performers thoroughly versed in the composer's complex harmony and heritage. While Nikolai Medtner only emigrated from Moscow to Berlin in 1921, eventually settling in London, the Russian composer traced a deep connection to German culture through the ancestry of his mother. He was familiar with the German language and culture from his childhood, and made his first visit to Berlin in the winter of 1904-5, then returned for most of 1907 and the summer of 1909. It can be no coincidence that these original-language settings of two of Germany's greatest poets date from this period in Medtner's life. In his mid-20s at this point, Medtner had become internationally known as a pianist of formidable technical and interpretative gifts, but he continued to compose and to teach, taking up a post at the Moscow Conservatoire in 1909. While Medtner's pianism often lends the quicker songs a scintillating brilliance, such as the Elfenliedchen which is third in the Opus 6 collection of Goethe's songs, the overall mood of the collection is imbued with the feelings of love and longing which are key-signatures of Romanticism (German or Russian). Medtner was always drawn towards musical contemplation of life's deeper themes, and he accordingly sets both poets at their most philosophical and visionary, in the Wandrers Nachtlied of Goethe and the Bergstimme of Heine. On this album, recorded in 2022, Ekaterina Levental and Frank Peters couple the Opp 6, 15 and 18 settings of Goethe with the three Op 12 settings of Heine: a unique but natural pairing on record. The booklet includes both original texts and English translations.New recordings of Goethe and Heine settings by a master Russian song-writer, by performers thoroughly versed in the composer's complex harmony and heritage. While Nikolai Medtner only emigrated from Moscow to Berlin in 1921, eventually settling in London, the Russian composer traced a deep connection to German culture through the ancestry of his mother. He was familiar with the German language and culture from his childhood, and made his first visit to Berlin in the winter of 1904-5, then returned for most of 1907 and the summer of 1909. It can be no coincidence that these original-language settings of two of Germany's greatest poets date from this period in Medtner's life. In his mid-20s at this point, Medtner had become internationally known as a pianist of formidable technical and interpretative gifts, but he continued to compose and to teach, taking up a post at the Moscow Conservatoire in 1909. While Medtner's pianism often lends the quicker songs a scintillating brilliance, such as the Elfenliedchen which is third in the Opus 6 collection of Goethe's songs, the overall mood of the collection is imbued with the feelings of love and longing which are key-signatures of Romanticism (German or Russian). Medtner was always drawn towards musical contemplation of life's deeper themes, and he accordingly sets both poets at their most philosophical and visionary, in the Wandrers Nachtlied of Goethe and the Bergstimme of Heine. On this album, recorded in 2022, Ekaterina Levental and Frank Peters couple the Opp 6, 15 and 18 settings of Goethe with the three Op 12 settings of Heine: a unique but natural pairing on record. The booklet includes both original texts and English translations.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Franck/Vierne/Houlihan / First & Last【K2023/2/3発売】

発売日: 2023/2/3輸入盤USレーベル: Azica収録曲:コメント:On June 2, 2012-the 75th anniversary of his death at Notre Dame-I performed each of Vierne's six organ symphonies in a marathon performance at Church of the Ascension, New York. That performance launched a summer-long tour of these works (affectionally titled "Vierne 2012") with similar performances in Denver, Chicago, Los Angeles, Montreal, and Dallas. At the time, the Pascal Quoirin organ at Ascension Church was a little over a year old and, as of this recording, it is still the only French-built organ ever installed in New York City. Among organ music, the successful performance of French repertoire is especially dependent on the particular sonorities available on a given instrument. The Quoirin organ is a very good fit for the colorful demands of Franck and Vierne's music, and it was an honor to return to Ascension Church for this recording. Ever since the marathon tour, I am often asked if I have a favorite among Vierne's symphonies. It's hard (and unnecessary) to pick, but the sixth just might be my favorite. It has all the characteristics that make Vierne's music so appealing, and perfectly in proportion. And, with Vierne at the height of his artistry, it also marks the apex of the French symphonic organ tradition - a fitting culmination of the style enshrined with Franck's Grande piece symphonique.On June 2, 2012-the 75th anniversary of his death at Notre Dame-I performed each of Vierne's six organ symphonies in a marathon performance at Church of the Ascension, New York. That performance launched a summer-long tour of these works (affectionally titled "Vierne 2012") with similar performances in Denver, Chicago, Los Angeles, Montreal, and Dallas. At the time, the Pascal Quoirin organ at Ascension Church was a little over a year old and, as of this recording, it is still the only French-built organ ever installed in New York City. Among organ music, the successful performance of French repertoire is especially dependent on the particular sonorities available on a given instrument. The Quoirin organ is a very good fit for the colorful demands of Franck and Vierne's music, and it was an honor to return to Ascension Church for this recording. Ever since the marathon tour, I am often asked if I have a favorite among Vierne's symphonies. It's hard (and unnecessary) to pick, but the sixth just might be my favorite. It has all the characteristics that make Vierne's music so appealing, and perfectly in proportion. And, with Vierne at the height of his artistry, it also marks the apex of the French symphonic organ tradition - a fitting culmination of the style enshrined with Franck's Grande piece symphonique.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Martin/Turina/Trio Image / Piano Trios【K2023/1/20発売】

発売日: 2023/2/3輸入盤USレーベル: Cavi-Music収録曲:コメント:For this album, we have decided to record three works written between 1916 and 1926. In that period marked by the First World War and it's aftermath, itis remarkable to note these three composers' widely varying creative approaches and ideas. Composed during a summer stay at the French seaside resort of Capbreton, Frank Martin's piano trio has accompanied us on our journey as an ensemble ever since we were students. It's unique melodic approach combined with complex rhythms based on Irish and Celtic folk music always remain a wonderful challenge and never cease to rekindle our enjoyment in making music together! Two of us - Gergana and Pavlin - have been familiar with the music of Pancho Vladigerov ever since early childhood. His sole piano trio, a monumental work in A Minor, captivates us with it's original melodies and harmonies. Although Vladigerov finished writing it during his studies in Berlin, we also find that it has unmistakable traces of Bulgarian folklore. With joy and enthusiasm, we have incorporated it into our repertoire; now, with this recording, we are thrilled to make it known to a wider audience of interested music lovers. Joaquin Turina's frequently performed Second Piano Trio is a work we discovered somewhat by chance in 2011. After only one rehearsal we were already fascinated with this colorful, highly emotional composition that presents Spanish harmonies and rhythms in a thoroughly authentic way, as in the dancelike Scherzo in typical 5/8 meter. We always look forward to playing this work, renewing our acquaintance with it as with an old beloved friend, and having the opportunity to share it with the audience!For this album, we have decided to record three works written between 1916 and 1926. In that period marked by the First World War and it's aftermath, itis remarkable to note these three composers' widely varying creative approaches and ideas. Composed during a summer stay at the French seaside resort of Capbreton, Frank Martin's piano trio has accompanied us on our journey as an ensemble ever since we were students. It's unique melodic approach combined with complex rhythms based on Irish and Celtic folk music always remain a wonderful challenge and never cease to rekindle our enjoyment in making music together! Two of us - Gergana and Pavlin - have been familiar with the music of Pancho Vladigerov ever since early childhood. His sole piano trio, a monumental work in A Minor, captivates us with it's original melodies and harmonies. Although Vladigerov finished writing it during his studies in Berlin, we also find that it has unmistakable traces of Bulgarian folklore. With joy and enthusiasm, we have incorporated it into our repertoire; now, with this recording, we are thrilled to make it known to a wider audience of interested music lovers. Joaquin Turina's frequently performed Second Piano Trio is a work we discovered somewhat by chance in 2011. After only one rehearsal we were already fascinated with this colorful, highly emotional composition that presents Spanish harmonies and rhythms in a thoroughly authentic way, as in the dancelike Scherzo in typical 5/8 meter. We always look forward to playing this work, renewing our acquaintance with it as with an old beloved friend, and having the opportunity to share it with the audience!