気まぐれ屋

【中古】 Sullivan サリバン / The Beauty Stone: R.macdonald / Bbc Bbc National.o Of Wales E.m.thomas Spence R.evans 【CD】

状態可状態詳細未開封、直輸入盤帯付中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら商品説明（こちらは新品の商品説明となります。参考として下さいませ。中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません。）サリヴァン晩年の大作『美の石』エリン・マナハン・トーマスも参加19世紀後半のイギリスにおける舞台音楽、特にオペレッタの作曲家として名を馳せたアーサー・サリヴァンの『美の石（The Beauty Stone）』は、1898年5月28日にサヴォイ劇場で初演が行われた「ロマンティック・ミュージック・ドラマ」。長年コンビを組んだ名パートナー、ウィリアム・S・ギルバートではなく、アーサー・ウィング・ピネロ[1855-1934]とジョセフ・ウィリアム・コミンス・カー[1849-1916]の台本を用いた晩年の大作です。『アイヴァンホー』以降のサリヴァンの見過ごされてきた舞台作品の魅力を伝える記録としても非常に貴重。エリン・マナハン・トーマスやトビー・スペンス、レベッカ・エヴァンス、アラン・オピーなど、豪華キャスト陣が花を添えています。（東京エムプラス）【収録情報】・サリヴァン：歌劇『美の石』全曲 エリン・マナハン・トーマス（ソプラノ） トビー・スペンス（テノール） レベッカ・エヴァンス（ソプラノ） アラン・オピー（バリトン） スティーヴン・ガッド（バリトン） キャスリン・ウィン＝ロジャーズ（メゾ・ソプラノ） マデリン・ショウ（メゾ・ソプラノ） デイヴィッド・スタウト（バス） リチャード・スアート（バリトン） オリヴィア・ゴメス（ソプラノ） サラ・マクステッド（メゾ・ソプラノ） リリオ・エヴァンス（ソプラノ） BBCウェールズ・ナショナル合唱団 BBCウェールズ・ナショナル管弦楽団 ロリー・マクドナルド（指揮） 録音時期：2013年1月29日～2月3日 録音場所：カーディフ、BBCホディノット・ホール 録音方式：ステレオ（デジタル／セッション）曲目リストDisc11.Introduction. Allegro Alla - Marcia/2.Click, Clack, Click, Clack/3.Hobble, Hobble, Now We've Caught Her/4.Maidens and Men of Mirlemont Town/5.Dear Mary Mother, Unto Thee I Bring/6.Who Stands Within?/7.Since It Dwelt in That Rock Whose Hallowed Crest - I Gave It Away to a Love-Lorn Maid/8.Appearance of Laine. Andante/9.After Devil's Song. Change of Scene. Moderato/10.The Bells Are Ringing O'er Mirlemont Town/11.Maidens and Men of Mirlemont Town/12.May Name Is Crazy Jacqueline/13.The Bells Are Ringing O'er Mirlemont Town/14.Know Ye All, Both Great and Small/15.I Am Loyse from St. Denis/16.In the Hills Beyond Florenens/17.I Am Barbe of Bovigny/18.Go, Bring Forth Old Simon's Daughter!/19.By Our Lady, She Is Fair!/20.Oh, Turn Thine Eyes Away/21.In Vain Ye Plead, Some Magic Spell Enthralls Him!/22.I Can But Tell I Knelt and PrayedDisc21.With Cards and Dice, and with Wine and Laughter/2.Melos. Andante/3.Though She Should Dance/4.Safe in Her Island Home, Whose Sloping Glades/5.Nay, See Ye Not This Maid Is Fair?/6.I Love Thee! I Love Thee!/7.I'll Tell Them What Thou Was When First I Knew Thee/8.How Say You? Shame! My Sword! My Sword!/9.Nay, Wert Thou More Than All He Said Thou Art/10.She's Gone! Love's Hour Has Come at Last!/11.Lords of Sirault, Velaines, and St. Sauveur/12.Change of Scene. Andante Tranquillo/13.Look Yon - 'Tis She! Our Little Laine!/14.I Would See a Maid Who Dwells in Zolden/15.Haste Thee! Haste Thee!/16.Up and Down/17.There He Stands, That Lord Ye Knew/18.My Lord!/19.Introduction. Moderato Con Moto - An Hour Agone 'Twas the Moon That Shone/20.Why Does Thou Sigh and Moan?/21.Mine, Mine at Last! Poor Vanquished Slave, Begone! - What Laggard Steed Doth Carry/22.So All Is Lost for Ever! and 'Twas Thou/23.Allegro Vivace E Agitato/24.O'er Mirlemont City the Banners Are Flying/25.Exit of Guntran and Crowd. Allegro Moderato/26.Hail to the Lord of Our Land!

【中古】 ヒグドン、ジェニファー（1962-） / Cold Mountain: Harth-bedoya / Santa Fe Opera Hunter Morris Pomakov A.kramer 【SACD】

状態可状態詳細BOX仕様、2枚組み、ブックレット付き、SACD(ハイブリッド)中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら曲目リストDisc11.Peaches in the Summertime/2.What Was His Name?/3.The Metal Age/4.I Don't Like That Man/5.Who Ya' Talkin' To?/6.We Once Lived in a Land of Paradise/7.Sun's Up. You'll Eat Later/8.My Only Teacher Was Hunger/9.Why Can't We?/10.Mister, How Much to Ferry Me Across?/11.Look at Me, I'm Floating/12.Listen/13.A Fence Is a Good Thing/14.I Told You. I'm a Preacher!/15.Come Back to Cold MountainDisc21.Opening/2.Is That All You Got?/3.Interlude: Inman Walking/4.Orion/5.Bless You, Ruby/6.Your Baby Sick?/7.Funny Lookin' Scarecrow/8.Get Up! Quick!/9.I Should Be Cryin' But I Just Feel Numb/10.Howdy, Strangers... Keep Playin'/11.Our Beautiful Country/12.Ada's Aria/13.I'm Lost/14.You Just Need to Rest. We'll Talk Later/15.Tell Her/16.Epilogue, Nine Years Later

【中古】 Berlioz ベルリオーズ / L'enfance Du Christ: Gardiner / Lyon Opera Von Otter Van Dam 【CD】

状態可状態詳細2枚組みコメントケースヒビ有中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら商品説明（こちらは新品の商品説明となります。参考として下さいませ。中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません。）ガーディナー／ベルリオーズ：《キリストの幼時》 1988年デジタル。無知で傲慢な評論家たちへの挑戦的からかいの為(？)に、バロック時代の作曲家を装って書かれ発表された合唱曲の成功を機に、全体がつくりあげられる事になったといういわくつきの名作。 ヘロデ王の夢とそれが引き起こした幼児虐殺、キリストの逃避行を描いた3部から成るオラトリオながら、第2部(件の合唱曲を含むところ)が極端なばかりに古雅な美しさを湛えているのはそれが原因です。古楽と合唱の専門家、ガーディナーにこれほどふさわしい作品もありません。作品本来の古典性をバランスよく示した名演です。曲目リストDisc11.New Beginning, A (Prelude)/2.Sun Country/3.You're a Song (That I Can't Sing)/4.Night, The/5.New Beginning, A/6.When the Morning Comes/7.Poor Fool/8.Touch the Rainchild/9.Love Isn't Here (Like It Used To Be)/10.Walk On, Don't Look Back (Bonus Track)/11.How Come? (Bonus Track)/12.Life and Breath (Bonus Track)/13.Hickory (Bonus Track)/14.Charisma (Unedited Version) (Bonus Track)/15.Charisma (Single Version) (Bonus Track)/16.Just Look What You've Done/17.Love Isn't Here (Like It Used To Be)/18.Baby I Need Your Loving/19.Inside You/20.Thank You/21.Hickory/22.Life and Breath/23.Night, The/24.With My Eyes Wide Open/25.You've Got Your Troubles (Bonus Track)/26.Listen To Yesterday (Bonus Track)/27.Scalawag Song, The (and I Will Love You) (Bonus Track)

【ただ今クーポン発行中です】【輸入盤CD】【新品】Louis Pierre Bergeron/Meagan Milatz / Bravura【K2023/12/15発売】

発売日: 2023/12/15輸入盤レーベル: Virgin Records Us収録曲:コメント:Louis Pierre Bergeron/Meagan Milatz - "Bravura" / Natural horn player Louis-Pierre Bergeron and pianist Meagan Milatz look to Beethoven as the point of departure for their new album, Le cor di bravura. The composer's Sonata Op. 17, a masterpiece, is the first true sonata for horn and piano in the history of music.Louis Pierre Bergeron/Meagan Milatz - "Bravura" / Natural horn player Louis-Pierre Bergeron and pianist Meagan Milatz look to Beethoven as the point of departure for their new album, Le cor di bravura. The composer's Sonata Op. 17, a masterpiece, is the first true sonata for horn and piano in the history of music.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Gemini Tritium Trio / In Passing: Music By Giles Easterbrook【K2023/10/6発売】

発売日: 2023/10/6輸入盤CZレーベル: Prima Facie収録曲: 1.1 Aubade for St. Francis1.2 Sad But True1.3 25 Variations1.4 In Passing: 1 - in Passing1.5 In Passing: 2 - Say Hello1.6 In Passing: 3 - How Are You?1.7 In Passing: 4 - Look at Me1.8 In Passing: 5 - Make Me Real1.9 Out of the Purple1.10 Clarinet Trio Aus Dem Ersten Grunコメント:Giles Easterbrook was a composer, publisher, writer, and entrepreneur whose musical interests and tastes ranged widely. From the early 1970s he worked in most areas of musical life, as concert promoter, composer and artist's representative, theatre-music writer, director and manger, performing and composing competition adjudicator, ensemble director and tour manager, panellist, broadcaster, member of several music support trusts, co-founder of the Chameleon Composers Group, on committees of music organisations including WASBE, and the Redcliffe and Park Lane Group concerts. He died on September 1, 2021, and this CD is released in his memory, on Prima Facie Records, the label he co-founded with Steve Plews in 2005.Giles Easterbrook was a composer, publisher, writer, and entrepreneur whose musical interests and tastes ranged widely. From the early 1970s he worked in most areas of musical life, as concert promoter, composer and artist's representative, theatre-music writer, director and manger, performing and composing competition adjudicator, ensemble director and tour manager, panellist, broadcaster, member of several music support trusts, co-founder of the Chameleon Composers Group, on committees of music organisations including WASBE, and the Redcliffe and Park Lane Group concerts. He died on September 1, 2021, and this CD is released in his memory, on Prima Facie Records, the label he co-founded with Steve Plews in 2005.

【中古】 Haydn ハイドン / Sym 1 2 4 5 10 【CD】

状態非常に良い中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら曲目リストDisc11.We've Come To Praise Him/2.My Soul Doth Magnify The Lord/3.Jeremiah's Groove/4.Take Some Time Out/5.Throw Out The Life Line/6.Caught Up/7.By His Grace/8.By His Grace (Reprise)/9.Whatever It Takes/10.Look Up/11.Come By Here/12.Use Me/13.Hallelujah, He Abides/14.It's In The House

【中古】 Telemann テレマン / Weltliche Kantaten: V / A 【CD】

状態良い中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら曲目リストDisc11.Look Out For Love

【ただ今クーポン発行中です】【輸入盤CD】【新品】Jadin/Toporowski / Piano Sonatas Op. 4-6【K2023/6/23発売】

発売日: 2023/6/23輸入盤USレーベル: Brilliant Classics収録曲:コメント:New recordings of signature works by a young and tragically short-lived lion of the keyboard in late 18th-century France. This is the most extensive set of records ever dedicated to the music of Hyacinthe Jadin, sure to attract the attention of all aficionados of keyboard rarities, especially as performed by the Polish harpsichordist and pianist Marek Toporowski, with his encyclopedic understanding of Baroque and early-Classical repertoire. Born in Versailles in 1776, Jadin grew up in a musical family and was educated in both the French and German traditions, something unusual at the time. His professional career was brief; he was appointed to the Conservatoire in 1795 as one of it's first professors of piano, and fell ill from the tuberculosis that would take his life in 1800. Jadin's surviving output includes six quartets, four piano concertos, and several violin sonatas. From the evidence of these nine piano sonatas - three for each published opus number - we may hear in Jadin an astonishingly gifted composer whose music foreshadows the Romantic era - even at points the expressive poignancy of Schubert. Writing in major keys, Jadin's elegant facility belongs to his own Classical age; it is when he ventures into remote minortonalities, such as the F sharp minor Sonata Op.4 No.2, that he seems to look forward to another, more personal age of expression. In all cases, however, Jadin evidently took Haydn as a model, for his themes are unfailingly compact and elegantly conceived for the keyboard, his development sections are likewise concise while enlivened with touches of ingenious modulation between keys. In his booklet essay, introducing Jadin's life and work, Marek Toporowski makes the case for the composer as a French-born Dussek, an outstandingly original figure and one of the great 'might-have-beens' of musical history. His stylish performances on a modern copy of a Walter fortepiano support such a claim, as well as affording much delight in their own right.New recordings of signature works by a young and tragically short-lived lion of the keyboard in late 18th-century France. This is the most extensive set of records ever dedicated to the music of Hyacinthe Jadin, sure to attract the attention of all aficionados of keyboard rarities, especially as performed by the Polish harpsichordist and pianist Marek Toporowski, with his encyclopedic understanding of Baroque and early-Classical repertoire. Born in Versailles in 1776, Jadin grew up in a musical family and was educated in both the French and German traditions, something unusual at the time. His professional career was brief; he was appointed to the Conservatoire in 1795 as one of it's first professors of piano, and fell ill from the tuberculosis that would take his life in 1800. Jadin's surviving output includes six quartets, four piano concertos, and several violin sonatas. From the evidence of these nine piano sonatas - three for each published opus number - we may hear in Jadin an astonishingly gifted composer whose music foreshadows the Romantic era - even at points the expressive poignancy of Schubert. Writing in major keys, Jadin's elegant facility belongs to his own Classical age; it is when he ventures into remote minortonalities, such as the F sharp minor Sonata Op.4 No.2, that he seems to look forward to another, more personal age of expression. In all cases, however, Jadin evidently took Haydn as a model, for his themes are unfailingly compact and elegantly conceived for the keyboard, his development sections are likewise concise while enlivened with touches of ingenious modulation between keys. In his booklet essay, introducing Jadin's life and work, Marek Toporowski makes the case for the composer as a French-born Dussek, an outstandingly original figure and one of the great 'might-have-beens' of musical history. His stylish performances on a modern copy of a Walter fortepiano support such a claim, as well as affording much delight in their own right.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Gade/Gretschaninow/Medtner / Nicht Nur Fantasiestucke【K2023/6/16発売】

発売日: 2023/6/16輸入盤USレーベル: Ars Produktion収録曲:コメント:?The idea to record a CD of chamber music for clarinet and piano by composers from Germany, Denmark and Russia arose quite spontaneously. The starting point of our research was the "Fantasiestucke" by Niels Wilhelm Gade Op. 43. After we had successfully performed this cycle in some concert programs, the desire came to look at the genre of European instrumental romantic miniatures of the 19th and the first half of the 20th century. So it was only logical that our choice fell on the "Fantasiestucke" by Robert Schumann Op. 73. His work is a kind of starting point for the whole CD concept. The Second Sonata by Alexander Gretschaninow came into our repertoire not long ago, but took a permanent place thanks to it's luminosity, sublimity of figures and sincerity of romantic statement. The same is true of the unique "Sonata-Vocalise" by Nikolai Medtner, which is an excellent example of an organic synthesis of German and Russian schools of composers and embodies the continuity of Schumann's artistic ideals. The multidimensional term "fantasy" (in the old variant "phantasy") means "to imagine something", "to improvise". And it is precisely the rich, radiant, outstanding and - this is actually the most important thing - free imagination of the artists presented on the CD that has given us the happiness of encountering their art. This joy of fantasizing, full of inspiration, we would like to share with you.?The idea to record a CD of chamber music for clarinet and piano by composers from Germany, Denmark and Russia arose quite spontaneously. The starting point of our research was the "Fantasiestucke" by Niels Wilhelm Gade Op. 43. After we had successfully performed this cycle in some concert programs, the desire came to look at the genre of European instrumental romantic miniatures of the 19th and the first half of the 20th century. So it was only logical that our choice fell on the "Fantasiestucke" by Robert Schumann Op. 73. His work is a kind of starting point for the whole CD concept. The Second Sonata by Alexander Gretschaninow came into our repertoire not long ago, but took a permanent place thanks to it's luminosity, sublimity of figures and sincerity of romantic statement. The same is true of the unique "Sonata-Vocalise" by Nikolai Medtner, which is an excellent example of an organic synthesis of German and Russian schools of composers and embodies the continuity of Schumann's artistic ideals. The multidimensional term "fantasy" (in the old variant "phantasy") means "to imagine something", "to improvise". And it is precisely the rich, radiant, outstanding and - this is actually the most important thing - free imagination of the artists presented on the CD that has given us the happiness of encountering their art. This joy of fantasizing, full of inspiration, we would like to share with you.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Galliano/Gardel/Ginastera / Hotel Tango【K2023/6/2発売】

発売日: 2023/6/2輸入盤USレーベル: Accentus収録曲:コメント:With their new CD "Hotel Tango", Trio Agora invites us on a journey through the history of tango. From it's roots to the most complex expressions worldwide, the trio presents tango as a solitary mixture of European, South American and African idioms. With their own arrangements for clarinet trio and dedicated compositions, the trio explores the various modes of the genre from an explicitly personal perspective. Look forward to Astor Piazzolla's "Las cuatro estaciones portenas," Stravinsky, Ravel, Ginastera and more.With their new CD "Hotel Tango", Trio Agora invites us on a journey through the history of tango. From it's roots to the most complex expressions worldwide, the trio presents tango as a solitary mixture of European, South American and African idioms. With their own arrangements for clarinet trio and dedicated compositions, the trio explores the various modes of the genre from an explicitly personal perspective. Look forward to Astor Piazzolla's "Las cuatro estaciones portenas," Stravinsky, Ravel, Ginastera and more.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Castelo/Frescobaldi/Mvsica Perdvta / 17Th-Century Music For Canto & Basso【K2023/4/21発売】

発売日: 2023/4/21輸入盤USレーベル: Brilliant Classics収録曲:コメント:The trio sonata was one of the baroque period's most popular instrumental forms. While in it's 'classic' form it features two higher pitched instruments, a melodic bass instrument and basso continuo, there were several others, including a popular variant for one high-pitched instrument, one bass instrument and continuo chosen by a substantial number of composers in the 17th century and beyond and resulting in a significant number of compositions. In this setup, the writing for the melody instrument is more virtuosic than in a 'conventional' trio sonata, and it performs more of a solo role, unlike in the trio sonata, where it is more of a first among equals. At the same time, the bass instrument is used idiomatically instead of being relegated to a mere basso continuo. This contributed greatly to bolstering it's role as a solo instrument, and it was given ever greater prominence as the second half of the 17th century progressed. From the numerous Italian composers who wrote for this genre, for this album Mvsica Perdvta have selected the two who had the greatest influence on the establishment and development of chamber music: Girolamo Frescobaldi (1583-1643) and Dario Castello (1602-31). The first edition of Frescobaldi's Canzoni da sonare a uno, due, tre e quattro, published in Rome in 1628 (and later republished in a slightly different version in Venice in 1634) sits chronologically between the two books of Castello's Sonate concertate in stil moderno, published in Venice in 1621 and 1629 respectively. While Frescobaldi's canzoni can be considered the culmination of a genre that was already in decline, Castello ushered in a form that, evolving through countless different variants, would for centuries remain the leading chamber music genre. Castello's style is faithful to the promise of it's title: it still sounds very 'modern' for it's time, especially when - as in this album - it is paired with the oeuvre of Frescobaldi, the epitome of the instrumental canzona. Completing the CD is a short work by Giovanni Girolamo Kapsberger (Venice, c.1580 - Rome, 1651), the only sonata that the composer known as the 'Tedesco della tiorba', or 'German of the theorbo', wrote for this ensemble, taken from Il primo libro di Sinfonie a quattro con il basso continuo (Rome 1615).The sonata a tre was one of the most typical instrumental forms of the Baroque era. While in it's 'classical' form it calls for two treble instruments combined with a melodic bass instrument and basso continuo, it had several 'variants' in the ensemble, including the one for treble instrument, bass instrument and continuo, which was very popular. In this formation, to which a substantial number of composers (not only of the 17th century) dedicated an important number of compositions, the part of the treble instrument presents a more virtuosic and soloistic writing than that of the 'conventional' trio sonata. At the same time, the bass instrument, not reduced to the sole function of basso continuo, is treated as an equal melodic counterpart. This new recording presents the two composers who most influenced the birth and development of instrumental 'chamber' music, namely Girolamo Frescobaldi (1583-1643) and Dario Castello (1602-1631). Whereas Frescobaldi represents the pinnacle of an older style, the works of Castello look forward and form the basis of the chamber music style of centuries to come. The soloist of this recording is David Brutti, playing the Cornetto, a hybrid instrument with the fingerholes of a woodwind and a brass-type mouthpiece. Renato Criscuolo plays the bass violin, and the organ or harpsichord is played by Nicola Lamon.The trio sonata was one of the baroque period's most popular instrumental forms. While in it's 'classic' form it features two higher pitched instruments, a melodic bass instrument and basso continuo, there were several others, including a popular variant for one high-pitched instrument, one bass instrument and continuo chosen by a substantial number of composers in the 17th century and beyond and resulting in a significant number of compositions. In this setup, the writing for the melody instrument is more virtuosic than in a 'conventional' trio sonata, and it performs more of a solo role, unlike in the trio sonata, where it is more of a first among equals. At the same time, the bass instrument is used idiomatically instead of being relegated to a mere basso continuo. This contributed greatly to bolstering it's role as a solo instrument, and it was given ever greater prominence as the second half of the 17th century progressed. From the numerous Italian composers who wrote for this genre, for this album Mvsica Perdvta have selected the two who had the greatest influence on the establishment and development of chamber music: Girolamo Frescobaldi (1583-1643) and Dario Castello (1602-31). The first edition of Frescobaldi's Canzoni da sonare a uno, due, tre e quattro, published in Rome in 1628 (and later republished in a slightly different version in Venice in 1634) sits chronologically between the two books of Castello's Sonate concertate in stil moderno, published in Venice in 1621 and 1629 respectively. While Frescobaldi's canzoni can be considered the culmination of a genre that was already in decline, Castello ushered in a form that, evolving through countless different variants, would for centuries remain the leading chamber music genre. Castello's style is faithful to the promise of it's title: it still sounds very 'modern' for it's time, especially when - as in this album - it is paired with the oeuvre of Frescobaldi, the epitome of the instrumental canzona. Completing the CD is a short work by Giovanni Girolamo Kapsberger (Venice, c.1580 - Rome, 1651), the only sonata that the composer known as the 'Tedesco della tiorba', or 'German of the theorbo', wrote for this ensemble, taken from Il primo libro di Sinfonie a quattro con il basso continuo (Rome 1615).The sonata a tre was one of the most typical instrumental forms of the Baroque era. While in it's 'classical' form it calls for two treble instruments combined with a melodic bass instrument and basso continuo, it had several 'variants' in the ensemble, including the one for treble instrument, bass instrument and continuo, which was very popular. In this formation, to which a substantial number of composers (not only of the 17th century) dedicated an important number of compositions, the part of the treble instrument presents a more virtuosic and soloistic writing than that of the 'conventional' trio sonata. At the same time, the bass instrument, not reduced to the sole function of basso continuo, is treated as an equal melodic counterpart. This new recording presents the two composers who most influenced the birth and development of instrumental 'chamber' music, namely Girolamo Frescobaldi (1583-1643) and Dario Castello (1602-1631). Whereas Frescobaldi represents the pinnacle of an older style, the works of Castello look forward and form the basis of the chamber music style of centuries to come. The soloist of this recording is David Brutti, playing the Cornetto, a hybrid instrument with the fingerholes of a woodwind and a brass-type mouthpiece. Renato Criscuolo plays the bass violin, and the organ or harpsichord is played by Nicola Lamon.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Strauss/Members Of Staatskapelle Berlin / Complete Music For Wind Instruments【K2023/4/7発売】シュトラウス

2023/4/7 発売輸入盤レーベル： CAPRICCIO収録曲：As the Staatskapelle Berlin begins to look for it's next music director (only the fourth since 1955!), this release finds the band's own winds turning to Richard Strauss, who held the job some 110+ years ago. Together, they recorded their old chief conductors' complete music for winds, including rarities like the Sonatinas "From an Invalid's Workshop" and "The Happy Workshop" which Strauss dedicated to Mozart. Covering Strauss' very early and very late creative output, the four pieces (plus the Eulenspiegel arrangement), give a fascinating insight into the development of Strauss, a horn player's son.シュターツカペレ・ベルリン 管楽アンサンブルのための作品全集

2023年03月10日発売THE DISTANCE

曲目・内容1.Let Nothing Happen2.Unnamed Road3.Mirage4.The Distance Between us5.It’s Too Late6.The Screen You Look Upon7.It’s a Small World8.Last Song9.Cayambe10.Time Travel11.But Then Again12.A Stolen Momentアーティスト（演奏・出演）Django Novo - vocalsTov Ramstad - celloetc.レコーディング不明（2022年？）商品番号：NXN3002『THE DISTANCE』 ［DJANGO NOVO、TOV RAMSTAD］CD 発売日：2023年03月10日 NMLアルバム番号：NXN3002 NXN Recordingsノルウェーでジャズやブルースなど幅広い活動を行うヴォーカリスト、ジャンゴ・ノヴォと、やはりノルウェーでエレクトロニクスなども含めた活動を展開しているチェリスト、トフ・ラムスタッドによるアルバム。二人の多重録音を中心に、シネマティックでゆったりとした、独特の世界観を作り上げています。トランペット、ブルース・ハープ、キーボードなども、控えめに加わり彩りを添えます。

When beauty is invisible[CD] / Miriam

ご注文前に必ずご確認ください＜商品説明＞1998年から活動をつづけるMassimo Daniela Carloによるイタリアのユニット。本作は2007年に6年ぶりにリリースされたDavid Sylvianのカバーを含む2nd アルバム。今回は1stアルバムも同時発売。＜収録内容＞I look around / MiriamEclipse / MiriamIllusory signs / MiriamIf you ever / MiriamWhen beauty is invisible / MiriamUnderwater / MiriamBefore the night comes / MiriamMy last forever / MiriamEndless / MiriamDon’t hide / Miriam＜アーティスト／キャスト＞Miriam(アーティスト)＜商品詳細＞商品番号：DAKCRDB-77Miriam / When beauty is invisibleメディア：CD発売日：2007/06/06JAN：4948722322955When beauty is invisible[CD] / Miriam2007/06/06発売

【ただ今クーポン発行中です】【輸入盤CD】【新品】Mendelssohn/Trio Adorno / In The Shadow【K2023/1/27発売】

2023/1/27 発売輸入盤レーベル： ARCANTUS収録曲：With it's first album, 'In the Shadow', the Trio Adorno consciously addresses three compositions, which have hitherto been overshadowed by more famous works and are therefore rarely heard in concert, with the aim of bringing them into the light and into the concert hall. Mozart's piano trio in D minor, KV 442, is barely known, as the composer never completed it himself. Therefore, it still stands in the shadow of his other piano trios. Martin?'s chamber works - among them the piano trio in C Major - are even more rarely played as his orchestral works. And also Mendelssohn's piano trio in C minor, op. 66, is much less often heard than it's predecessor in D minor, Op. 49. All the more, it's a pleasure to explore these works together with the Trio Adorno, which received tuition from important figures in the world of chamber music - like among others the Beaux Arts Trio and the Alban Berg Quartet - and which can now look back on a long lasting performing career.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Martin/Turina/Trio Image / Piano Trios【K2023/1/20発売】

発売日: 2023/2/3輸入盤USレーベル: Cavi-Music収録曲:コメント:For this album, we have decided to record three works written between 1916 and 1926. In that period marked by the First World War and it's aftermath, itis remarkable to note these three composers' widely varying creative approaches and ideas. Composed during a summer stay at the French seaside resort of Capbreton, Frank Martin's piano trio has accompanied us on our journey as an ensemble ever since we were students. It's unique melodic approach combined with complex rhythms based on Irish and Celtic folk music always remain a wonderful challenge and never cease to rekindle our enjoyment in making music together! Two of us - Gergana and Pavlin - have been familiar with the music of Pancho Vladigerov ever since early childhood. His sole piano trio, a monumental work in A Minor, captivates us with it's original melodies and harmonies. Although Vladigerov finished writing it during his studies in Berlin, we also find that it has unmistakable traces of Bulgarian folklore. With joy and enthusiasm, we have incorporated it into our repertoire; now, with this recording, we are thrilled to make it known to a wider audience of interested music lovers. Joaquin Turina's frequently performed Second Piano Trio is a work we discovered somewhat by chance in 2011. After only one rehearsal we were already fascinated with this colorful, highly emotional composition that presents Spanish harmonies and rhythms in a thoroughly authentic way, as in the dancelike Scherzo in typical 5/8 meter. We always look forward to playing this work, renewing our acquaintance with it as with an old beloved friend, and having the opportunity to share it with the audience!For this album, we have decided to record three works written between 1916 and 1926. In that period marked by the First World War and it's aftermath, itis remarkable to note these three composers' widely varying creative approaches and ideas. Composed during a summer stay at the French seaside resort of Capbreton, Frank Martin's piano trio has accompanied us on our journey as an ensemble ever since we were students. It's unique melodic approach combined with complex rhythms based on Irish and Celtic folk music always remain a wonderful challenge and never cease to rekindle our enjoyment in making music together! Two of us - Gergana and Pavlin - have been familiar with the music of Pancho Vladigerov ever since early childhood. His sole piano trio, a monumental work in A Minor, captivates us with it's original melodies and harmonies. Although Vladigerov finished writing it during his studies in Berlin, we also find that it has unmistakable traces of Bulgarian folklore. With joy and enthusiasm, we have incorporated it into our repertoire; now, with this recording, we are thrilled to make it known to a wider audience of interested music lovers. Joaquin Turina's frequently performed Second Piano Trio is a work we discovered somewhat by chance in 2011. After only one rehearsal we were already fascinated with this colorful, highly emotional composition that presents Spanish harmonies and rhythms in a thoroughly authentic way, as in the dancelike Scherzo in typical 5/8 meter. We always look forward to playing this work, renewing our acquaintance with it as with an old beloved friend, and having the opportunity to share it with the audience!

【ただ今クーポン発行中です】【輸入盤CD】【新品】Iannaccone/Stoltzman/Warsaw Philharmonic / Looking Back Moving On【K2023/1/13発売】

2023/1/13 発売輸入盤レーベル： NAVONA収録曲：

【ただ今クーポン発行中です】【輸入盤CD】【新品】Haydn/Heidelberger Sinfoniker / Haydn 27 - Symphonies【K2023/1/6発売】

2023/1/6 発売輸入盤レーベル： PROFIL - G HAENSSLER収録曲：For those pieces still missing from the complete recording, the Heidelberger Sinfoniker have been proceeding since Volume 25 in chronological order, to better chart the development of Joseph Haydn the composer. We are thus in the midst of a young, wild Haydn, a Sturm und Drang Haydn. "Heidelberg Haydn is a paradigm of dynamism, freshness, wildness, humour and constant surprise. I am glad we are continuing the journey, completing the cycle. My musical encounters with the Heidelberger Sinfoniker have always been journeys into happiness. Idealism, love of music and technical perfection join forces here with the will to create something really special. Which is exactly right for the symphonic world of Joseph Haydn. I look towards the future in eager anticipation!" - Johannes Klumpp

【ただ今クーポン発行中です】【輸入盤CD】【新品】Mahler/Sym Des Bayerischen Rundfunks / Symphonies Nos. 1 - 9【K2022/11/4発売】

発売日: 2022/11/4輸入盤USレーベル: BR Klassiks収録曲:コメント:In the complete edition compiled by BR-KLASSIK, the Symphonieorchester des Bayerischen Rundfunks under the direction of it's long-time principal conductor Mariss Jansons explores Mahler's symphonic ?uvre. This complete recording of Mahler's impressive symphonies is further enhanced by revealing rehearsal recordings and interesting interviews. In his nine symphonies, Gustav Mahler built up an entire world for himself and his listeners. More than almost any other composer, he tried in his symphonic works to get to the very bottom of the cycle of life, that eternal process of becoming and expiring - so what better complete set of symphonies to express the finest qualities of a modern-day conductor and the unique sound of a leading orchestra? Mariss Jansons found simple and clear words to express what it was that so fascinated and moved him about Mahler's music throughout his life. He said that the composer's work always related to what was universal and contained absolutely everything that exists in the world. In his symphonies, said Jansons, Mahler captured nature, faith, love, death, pain, tragedy, happiness, humor, utopia, irony, sarcasm - everything that makes up human existence. Jansons regarded his music as posing questions that ultimately every thinking person has to ask, and everyone can find something in it where they recognize themselves as if in a mirror. There are nevertheless no definitive answers in Mahler, "nothing triumphant that is at one with itself." When he first encountered Mahler's music, this experience struck Jansons like a bolt from the blue. Gradually, he developed into one of the leading Mahler conductors of his era. The fact that he had the Symphonieorchester des Bayerischen Rundfunks as a partner here - an orchestra that can look back on a long Mahler tradition - was certainly a very fortunate coincidence.In the complete edition compiled by BR-KLASSIK, the Symphonieorchester des Bayerischen Rundfunks under the direction of it's long-time principal conductor Mariss Jansons explores Mahler's symphonic ?uvre. This complete recording of Mahler's impressive symphonies is further enhanced by revealing rehearsal recordings and interesting interviews. In his nine symphonies, Gustav Mahler built up an entire world for himself and his listeners. More than almost any other composer, he tried in his symphonic works to get to the very bottom of the cycle of life, that eternal process of becoming and expiring - so what better complete set of symphonies to express the finest qualities of a modern-day conductor and the unique sound of a leading orchestra? Mariss Jansons found simple and clear words to express what it was that so fascinated and moved him about Mahler's music throughout his life. He said that the composer's work always related to what was universal and contained absolutely everything that exists in the world. In his symphonies, said Jansons, Mahler captured nature, faith, love, death, pain, tragedy, happiness, humor, utopia, irony, sarcasm - everything that makes up human existence. Jansons regarded his music as posing questions that ultimately every thinking person has to ask, and everyone can find something in it where they recognize themselves as if in a mirror. There are nevertheless no definitive answers in Mahler, "nothing triumphant that is at one with itself." When he first encountered Mahler's music, this experience struck Jansons like a bolt from the blue. Gradually, he developed into one of the leading Mahler conductors of his era. The fact that he had the Symphonieorchester des Bayerischen Rundfunks as a partner here - an orchestra that can look back on a long Mahler tradition - was certainly a very fortunate coincidence.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Baranova/Bloch/Debussy/Frid / White Letters【K2022/11/4発売】

発売日: 2022/11/18輸入盤USレーベル: Berlin Classics収録曲:コメント:Pianist Marina Baranova looks at Christmas through the eyes of an outsider. "I was born into a Jewish family in Ukraine and am the great-granddaughter of a rabbi. So I've never celebrated Christmas before, which allows me to look at it from the outside." On her new album "White Letters" she makes her experiences audible. "This album reflects those sensations." In her unique musicality, which combines light-fingered virtuosity with compositional sensitivity, she creates a world between Christian melodies, Ukrainian winter tunes and Jewish festival of lights sounds. All works oscillate between original, sensitive arrangement and free improvisation. "My recording somewhat resembles a playlist that makes my personal perception of the winter mood audible. Famous Christmas pieces from the classical period meet my own compositions, works by Ukrainian composers meet pieces by Jewish tone poets such as Ernest Bloch, Rosy Wertheim and Grigory Frid, which symbolize the Hanukkah festival of lights for me," says the composer and pianist, who was born in Kharkiv and now lives in Hanover. The bandwidth of the album's works cuts a wide swath: from Bach-ian borrowings combined with "There's Always Tomorrow" by Jewish composer Johnny Marks to the originally Ukrainian (and now world-famous) Christmas carol "Carol of the Bells" to her own compositions, such as "Homeland," which she dedicates to her hometown.Pianist Marina Baranova looks at Christmas through the eyes of an outsider. "I was born into a Jewish family in Ukraine and am the great-granddaughter of a rabbi. So I've never celebrated Christmas before, which allows me to look at it from the outside." On her new album "White Letters" she makes her experiences audible. "This album reflects those sensations." In her unique musicality, which combines light-fingered virtuosity with compositional sensitivity, she creates a world between Christian melodies, Ukrainian winter tunes and Jewish festival of lights sounds. All works oscillate between original, sensitive arrangement and free improvisation. "My recording somewhat resembles a playlist that makes my personal perception of the winter mood audible. Famous Christmas pieces from the classical period meet my own compositions, works by Ukrainian composers meet pieces by Jewish tone poets such as Ernest Bloch, Rosy Wertheim and Grigory Frid, which symbolize the Hanukkah festival of lights for me," says the composer and pianist, who was born in Kharkiv and now lives in Hanover. The bandwidth of the album's works cuts a wide swath: from Bach-ian borrowings combined with "There's Always Tomorrow" by Jewish composer Johnny Marks to the originally Ukrainian (and now world-famous) Christmas carol "Carol of the Bells" to her own compositions, such as "Homeland," which she dedicates to her hometown.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Schubert/Brodsky Quartet/Heijden / String Quintet/Quartettsatz【K2022/10/7発売】

2022/10/7 発売輸入盤レーベル： CHANDOS収録曲：Celebrating it's fiftieth anniversary in 2022, the Brodsky Quartet has performed more than 3000 concerts on the major concert stages of the world and has released more than seventy recordings. A natural curiosity and insatiable desire to explore have propelled the group in many artistic directions and continue to ensure it not only a place at the very forefront of the international chamber music scene but also a rich and varied musical existence. As they comment in their booklet note: 'It seems fitting to mark the milestone by recording this epic and most celebrated of chamber works, Schubert's String Quintet in C major, a piece which we have lived with since childhood, and which we have played with a long line of illustrious cellists. One of our earliest performances took place with Terence Weil, our mentor at college, at his retirement concert, just as we were starting out on our professional journey. Now the wonderful young Laura van der Heijden, who comes to this recording with a maturity which belies her years, represents with respect to us a similar age gap, proving that age is insignificant where there is a meeting of musical minds. Now we look forward to whatever our sixth decade might bring.'

【ただ今クーポン発行中です】【輸入盤CD】【新品】J.S. Bach/Sambeek / Bach On The Bassoon (SACD)【K2022/9/2発売】

2022/9/2 発売輸入盤レーベル： BIS 収録曲：Following a rock/metal album recorded with his band ORBI [BIS-2297], Bram van Sambeek returns with his own idea of a dance album. For it he has selected four works by Johann Sebastian Bach that consist mainly of typical baroque dances - but just as van Sambeek's metal album wasn't made for headbanging, Bach's dances weren't meant for dancing, but rather to be listened to. The album opens with van Sambeek's own arrangement of the celebrated Partita in C minor for keyboard which he describes in his liner notes as one of his favorite works to listen to. The arrangement includes every note of the original keyboard part and is for no less than eight bassoons - all played by van Sambeek using multitrack recording technique. The idea for this came from having spent months in lockdown due to the pandemic: even though musicians were unable to play together, the urge to play actual harmonies persisted. Four movements from another keyboard work - the French Suite No. 5 - are also included on the disc, but as these are melodic rather than contrapuntal they have lent themselves to be arranged for a single voice. The remaining two works are the Flute Partita in A minor and Cello Suite No. 1, adding to an overall result which allows a new look on well-known works, with new nuances and colors.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Cordeiro / Quiver【K2022/8/26発売】

2022/8/26 発売輸入盤レーベル： NEW FOCUS収録曲：Loadbang releases their fourth album on New Focus, this time featuring centerpieces by Heather Stebbins and Chaya Czernowin as well as music by ensemble members Jeffrey Gavett and Andy Kozar. New York City-based new music chamber group loadbang is building a new kind of music for mixed ensemble of trumpet, trombone, bass clarinet, and baritone voice. Since their founding in 2008, they have been praised as 'cultivated' by The New Yorker, 'an extra-cool new music group' and 'exhilarating' by the Baltimore Sun, 'inventive' by the New York Times and called a 'formidable new-music force' by TimeOutNY. Creating 'a sonic world unlike any other' (The Boston Musical Intelligencer), their unique lung-powered instrumentation has provoked diverse responses from composers, resulting in a repertoire comprising an inclusive picture of composition today. In New York City, they have been recently presented by and performed at Miller Theater, Symphony Space, MATA, and by the Look and Listen Festival; on American tours at Da Camera of Houston, Rothko Chapel, and the Festival of New American Music at Sacramento State University; and internationally at Ostrava Days (Czech Republic), China-ASEAN Music Week (China), the Xinghai Conservatory of Music (China), Shanghai Symphony Hall (China), and the Musikverein (Vienna, Austria).

【ただ今クーポン発行中です】【輸入盤CD】【新品】McCullough/Beebe/Freund / Song Of The Shulamite【K2022/7/1発売】

発売日: 2022/7/1輸入盤USレーベル: Centaur収録曲:コメント:If you are looking for something different-something that will pique the ear and stir the heart in new ways-look no further. Song of the Shulamite is a 27-minute work that tells the love story of the Song of Solomon-the passionate courtship between the beautiful, young field worker, the Shulamite, and her true love. The work's use of modes and Middle Eastern idioms point geographically to the story's setting, creating a sense of antiquity, while it's use of repetitive patterns and exotic instrumentation in the form of marimba, vibraphone and harp produce fresh, modern interest. Even though it's source text is sacred, this work can be considered either sacred or secular since, when taken at face value, these poems stand on their own as exquisitely written, highly erotic expressions of love absent any religious theology.If you are looking for something different-something that will pique the ear and stir the heart in new ways-look no further. Song of the Shulamite is a 27-minute work that tells the love story of the Song of Solomon-the passionate courtship between the beautiful, young field worker, the Shulamite, and her true love. The work's use of modes and Middle Eastern idioms point geographically to the story's setting, creating a sense of antiquity, while it's use of repetitive patterns and exotic instrumentation in the form of marimba, vibraphone and harp produce fresh, modern interest. Even though it's source text is sacred, this work can be considered either sacred or secular since, when taken at face value, these poems stand on their own as exquisitely written, highly erotic expressions of love absent any religious theology.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Donizetti/Woroniecki/Jacobsh / Don Sebastiano/Re Di Portogallo (2PK)【K2022/6/10発売】

発売日: 2022/6/24輸入盤USレーベル: Bongiovanni収録曲:コメント:Dom Sebastien, based on Scribe's French libretto, was presented in Paris on November 13th, 1843. It was a popular success, though Donizetti was not completely satisfied with this work and, already during the first performances, began making changes. Scribe's libretto was translated, at the end of 1843, into Italian by Giovanni Ruffini and, at the same time, into German by Leo Herz, who was the resident director at the Vienna Imperial Theater. Donizetti used Ruffini's Italian libretto to effect his changes. At the beginning of 1844 the second version of Donizetti's Don Sebastiano was ready. The Emperor wanted this opera to be presented in German; therefore Ruffini's libretto was replaced by the Leo Herz' German language version which had been prepared with the objective of almost completely following the rhythmic articulations of the Italian version. Therefore, the second version of Don Sebastiano, rewritten by Donizetti, was performed for the first time in Vienna on February 5th, 1845, in German, and Donizetti himself directed this and the following two performances, which means that the Viennese version is unquestionably authentic and represents the very last work of the Maestro. Unfortunately, at this point, Donizetti was already mentally disturbed and could no longer look after his work. The retouched libretto no longer fit with the music of Donizetti; therefore, all the rewritten parts of the libretto were also musically re-edited so that they are not truly attributable to Donizetti. This was the Italian version, re-edited, thus not authentic, which was published in 1865. All the successive performances in Italian were, thus, apocryphal; Donizetti had nothing to do with them. The fortunate discovery of the original text by Giovanni Ruffini, led to the revival of the second version, preferred by Donizetti, and in Italian instead of German.Dom Sebastien, based on Scribe's French libretto, was presented in Paris on November 13th, 1843. It was a popular success, though Donizetti was not completely satisfied with this work and, already during the first performances, began making changes. Scribe's libretto was translated, at the end of 1843, into Italian by Giovanni Ruffini and, at the same time, into German by Leo Herz, who was the resident director at the Vienna Imperial Theater. Donizetti used Ruffini's Italian libretto to effect his changes. At the beginning of 1844 the second version of Donizetti's Don Sebastiano was ready. The Emperor wanted this opera to be presented in German; therefore Ruffini's libretto was replaced by the Leo Herz' German language version which had been prepared with the objective of almost completely following the rhythmic articulations of the Italian version. Therefore, the second version of Don Sebastiano, rewritten by Donizetti, was performed for the first time in Vienna on February 5th, 1845, in German, and Donizetti himself directed this and the following two performances, which means that the Viennese version is unquestionably authentic and represents the very last work of the Maestro. Unfortunately, at this point, Donizetti was already mentally disturbed and could no longer look after his work. The retouched libretto no longer fit with the music of Donizetti; therefore, all the rewritten parts of the libretto were also musically re-edited so that they are not truly attributable to Donizetti. This was the Italian version, re-edited, thus not authentic, which was published in 1865. All the successive performances in Italian were, thus, apocryphal; Donizetti had nothing to do with them. The fortunate discovery of the original text by Giovanni Ruffini, led to the revival of the second version, preferred by Donizetti, and in Italian instead of German.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Beethoven / Dirigenten Bei Der Probe - Mariss Jansons 2 (4PK)【K2022/6/3発売】

発売日: 2022/6/3輸入盤USレーベル: BR Klassiks収録曲:コメント:What does the work of a conductor actually involve? He moves his hands, arms, his whole body, he makes use of his eyes and facial expressions - and he also sings and speaks, but only during rehearsals, of course. Being able to follow a conductor's interpretation makes for an exciting process, and conveys the basic idea behind a work far more vividly at the same time. "Conductors in Rehearsal" is a BR-KLASSIK series that takes a closer look at the "orchestral workshop". One can experience first-hand how the conductor's wishes and instructions are implemented, how his explanations and his temperament change the resulting sound, and what concepts lie behind the interpretation of the work. Thanks to this series - which also now being released on album - the special collaboration between Mariss Jansons and the Bavarian Radio Symphony Orchestra can be documented. The second box set presented by BR-KLASSIK documents four rehearsals for concerts in the Munich Philharmonie i'm Gasteig and the Herkulessaal der Residenz in Munich, taken from different phases of the collaboration between Mariss Jansons' work with the BRSO.What does the work of a conductor actually involve? He moves his hands, arms, his whole body, he makes use of his eyes and facial expressions - and he also sings and speaks, but only during rehearsals, of course. Being able to follow a conductor's interpretation makes for an exciting process, and conveys the basic idea behind a work far more vividly at the same time. "Conductors in Rehearsal" is a BR-KLASSIK series that takes a closer look at the "orchestral workshop". One can experience first-hand how the conductor's wishes and instructions are implemented, how his explanations and his temperament change the resulting sound, and what concepts lie behind the interpretation of the work. Thanks to this series - which also now being released on album - the special collaboration between Mariss Jansons and the Bavarian Radio Symphony Orchestra can be documented. The second box set presented by BR-KLASSIK documents four rehearsals for concerts in the Munich Philharmonie i'm Gasteig and the Herkulessaal der Residenz in Munich, taken from different phases of the collaboration between Mariss Jansons' work with the BRSO.

【ただ今クーポン発行中です】【輸入盤CD】【新品】Niloufar/Guzman/Moon / Constantinides Iravani & Lowr【K2022/5/20発売】

発売日: 2022/5/20輸入盤USレーベル: Centaur収録曲:コメント:Dino Constantinides' love of Greek folk music permeates his works. His father Demetrios played the folk tunes from his village Marmara, in Epirus, Greece, on the violin by ear. The composer said, "Now, after so many years, I remember the way he was making music and I look to the sounds he used to make as the source of my inspiration. And they are used in abundance in my musical compositions." These influences are easily heard in the compositions featured on this release. Constantinides' compositions are juxtaposed here with works by Niloufar Iravani and Christopher Lowry.Dino Constantinides' love of Greek folk music permeates his works. His father Demetrios played the folk tunes from his village Marmara, in Epirus, Greece, on the violin by ear. The composer said, "Now, after so many years, I remember the way he was making music and I look to the sounds he used to make as the source of my inspiration. And they are used in abundance in my musical compositions." These influences are easily heard in the compositions featured on this release. Constantinides' compositions are juxtaposed here with works by Niloufar Iravani and Christopher Lowry.

【ただ今クーポン発行中です】【輸入盤CD】【新品】J.S. Bach/Runge/Ammon / Bach Corea Davis Piazzolla【K2022/5/20発売】

発売日: 2022/6/3輸入盤USレーベル: Berlin Classics収録曲:コメント:Eckart Runge and Jacques Ammon, who with their last album "Revolutionary Icons" already explored the field of tension between Beethoven and the rock/pop heroes Jimi Hendrix, Amy Winehouse and David Bowie, now devote themselves to the baroque and jazz. A closer look reveals how many connections there are despite the 200 yeas in between and what bridges ca be built between the two styles: "Walking basso continuo", the joy of the spontaneous and the high art of improvisation. From Vivaldi to Amanti, from bach to Miles Davis and from Gluck to George Gershwin - an outstanding potpourri of the highest musical quality on cello and piano.Eckart Runge and Jacques Ammon, who with their last album "Revolutionary Icons" already explored the field of tension between Beethoven and the rock/pop heroes Jimi Hendrix, Amy Winehouse and David Bowie, now devote themselves to the baroque and jazz. A closer look reveals how many connections there are despite the 200 yeas in between and what bridges ca be built between the two styles: "Walking basso continuo", the joy of the spontaneous and the high art of improvisation. From Vivaldi to Amanti, from bach to Miles Davis and from Gluck to George Gershwin - an outstanding potpourri of the highest musical quality on cello and piano.

【ただ今クーポン発行中です】【輸入盤CD】【新品】J.S. Bach/Il Gusto Barocco/Halubek / Suite & Concertos【K2022/3/18発売】

発売日: 2022/3/18輸入盤USレーベル: Berlin Classics収録曲:コメント:Il Gusto Barocco approaches Johann Sebastian Bach's suites and concertos from a contemporary and at the same time historically informed perspective. On their new album "Suite & Concertos", Jorg Halubek and the early music specialists of Il Gusto Barocco take a look at Bach's activities in the Zimmermann coffee house in Leipzig. They are not reconstructing an actual programme, but testing how the spirit of the musical gatherings in the circle of family, relatives and students can be transferred to our modern times. "We want to take a more modern look at Bach, who today is mainly seen as a strict church composer. For us, it's about the communicative side turned towards people," says ensemble leader and harpsichordist Jorg Halubek. The cello, which is slowly emerging from it's basso continuo shadow in Baroque music, leads the way through the program with Bach's third cello suite. The solo concertos inserted between the suite movements extend the individual focus to the group. The tendency in concert practice to preserve the inviolability of such a cherished work is here afforded a historically-informed approach accessed simultaneously through the eyes and ears of a modern musician. We do after all know, from contemporary sources from Bach's time, that instrumental works were not always played in their entirety. The forthcoming albums in this series, featuring new recordings and released to mark Bach's birthday, which began last year with the recording of the Brandenburg Concertos, should be afforded a musical presenter. The aim is to spotlight the soloistic qualities of the individual musicians who together form the ensemble overall, while also maintaining their individuality. In the concertos chosen for this program the orchestra plays more than just an accompanying role.Il Gusto Barocco approaches Johann Sebastian Bach's suites and concertos from a contemporary and at the same time historically informed perspective. On their new album "Suite & Concertos", Jorg Halubek and the early music specialists of Il Gusto Barocco take a look at Bach's activities in the Zimmermann coffee house in Leipzig. They are not reconstructing an actual programme, but testing how the spirit of the musical gatherings in the circle of family, relatives and students can be transferred to our modern times. "We want to take a more modern look at Bach, who today is mainly seen as a strict church composer. For us, it's about the communicative side turned towards people," says ensemble leader and harpsichordist Jorg Halubek. The cello, which is slowly emerging from it's basso continuo shadow in Baroque music, leads the way through the program with Bach's third cello suite. The solo concertos inserted between the suite movements extend the individual focus to the group. The tendency in concert practice to preserve the inviolability of such a cherished work is here afforded a historically-informed approach accessed simultaneously through the eyes and ears of a modern musician. We do after all know, from contemporary sources from Bach's time, that instrumental works were not always played in their entirety. The forthcoming albums in this series, featuring new recordings and released to mark Bach's birthday, which began last year with the recording of the Brandenburg Concertos, should be afforded a musical presenter. The aim is to spotlight the soloistic qualities of the individual musicians who together form the ensemble overall, while also maintaining their individuality. In the concertos chosen for this program the orchestra plays more than just an accompanying role.

【ナクソス・ミュージックストア】英国歌曲の100年 第3集

曲目・内容ピーター・ディキンソン（1905-）1.Let the Florid Music2-5.W.H.オーデンの詩による4つの歌曲I. Look, stranger on this island nowII. Eyes, look into the wellIII. Carry her over the waterIV. What's in your mind, my dove, my coneyマデリーン・ドリング（1923-1977）6-10.5つのベッチェマンの歌曲I. A Bay in AngleseyII. Song of a nightclub proprietressIII. Business GirlsIV. UndenominationalV. Upper Lambourneネイサン・ウィリアムソン（1978-）11-15.The Little That Was Once a Man - かつては人であった小さなもの［世界初録音］I. In someone else's poemII. 4 a.m.III. Not being… （I） The ordinary wayIV. Not being… （II） MisunderstandingV. Moon at restジョン・ウールリッチ（1954-）16-18.The Unlit Suburbs - 照明のない郊外［世界初録音］I. The Submerged BarII. Rat TownIII. The Ghost Choir19.ウィリアムソン： Intermezzo - 間奏曲［世界初録音］ジェフリー・プール（1949-）20-28.The Eye of the Blackbird - 黒鳥の目［世界初録音］I. Twenty snowy mountainsII. The Autumn WindIII. I Was of Three MindsIV. Which to PreferV. IciclesVI. I Know Noble AccentsVII. Out of SightVII. He Rode over ConnecticutIX. Evening all Afternoonアーティスト（演奏・出演）ジェイムス・ギルクリスト（テノール）ネイサン・ウィリアムソン（ピアノ）レコーディング2020年10月25-27日メニューイン・ホール、ストーク・ダバノン、サリー（UK）商品番号：SOMMCD0646英国歌曲の100年 第3集ディキンソン、ドリング、ウィリアムソン、ウールリッチ、プール ［ジェイムス・ギルクリスト（テノール）／ネイサン・ウィリアムソン（ピアノ）］ Vocal Recital (Tenor): Gilchrist, James - DICKINSON, P. / WOOLRICH, J. / POOLE, G. / DRING, M. (One Hundred Years of British Song, Vol. 3)CD 発売日：2022年03月11日 NMLアルバム番号：SOMMCD0646 SOMM Recordingsイギリスを代表するテノールの一人、ジェイムズ・ギルクリストとピアニスト、ネイサン・ウィリアムソンによる「英国歌曲の100年」の最終巻となる第3集の登場。今作は1950年以降に書かれた作品に焦点が当てられています。今作に初めて登場するピアニストのウィリアムソン自身の連作歌曲を含む、ウールリッチ、プールの4作品が世界初録音。なかでもブライアン・ヘイザーの詩によるウィリアムソンの「かつては人であった小さなもの」は、すでに遺灰となってしまった登場人物の目を通して歌われる奇妙な歌で、ウィリアムソンがこのアルバムとギルクリストのために書いた特別な作品です。他にはドリングのドラマティックな「ベッチェマンの歌」やディキンソンの「W.H.オーデンの詩による4つの歌曲」などを収録。詩と音楽の表現度の深さに驚かされる1枚と言えそうです。作曲家検索リンク（このタイトルに収録されている作曲家）ウィリアムソンウールリッチディキンスンドリングプール関連商品リンク第1集SOMMCD0621第2集SOMMCD0636